How Social Connections Helped Save The Town Of Neptune

When Rob Thomas and Kristen Bell succeeded in raising an astonishing $5.7 million from more than 90,000 donors to produce a movie centered on the one-time teen private detective Veronica Mars, most people called it one of the greatest Kickstarter successes of all time. But much more than a crowd-funding platform success, the Veronica Mars movie marks a much bigger milestone.

As Kickstarter CEO Yancey Strickler called it, the Veronica Mars movie is one of the greatest fan stories of all time. He's mostly right. Kickstarter provided the platform, but it was the dedicated fan base of the cancelled television series that convinced Thomas and the cast to consider a revival.

Fans stuck with Veronica Mars for six years.

The fans didn't just promote the cancelled television series online. They promoted it offline too. And even after rumors that Thomas was making a movie in 2009 fell apart, few of them gave up hope. They continued to promote the series with contests, events, book clubs, and social networks.

"We were told that we made a difference in the decision to even launch the Kickstarter campaign," says Mark Thompson for Neptune Rising. "But once the the Kickstarter launched, we were just a pebble in the storm that represents the true fandom of Veronica Mars."

According to Thompson, he heard about the Kickstarter campaign in its seventh hour and Thomas had already raised his first $1 million for the film. Within 24 hours, the campaign raised $2 million.

At the same time, the entire campaign proved what the Neptune Rising team had said all along. The fan base behind Veronica Mars was much bigger than any social media metrics might demonstrate.

Even on the last day of the Kickstarter campaign, Thomas asked fans to meet him at an Austin bar. He anticipated 30-40 people. More than 700 fans showed up, including Jason Dohring.

"I always had high hopes," said Thomas at the campaign party. "And yet there was this little bit of doubt in my mind ... what if the people telling us to make a movie are the same 20 people?"

His one little worry is now long put to rest. Not only are there thousands of fans behind Veronica Mars, but they also represent the first wave of a shifting paradigm for television and film production that started in 2007. The size of an audience isn't the only consideration. Its passion is just as important.

Even after fans invested $5.7 million into what became a $6 million film, they also turned out to see it in theaters. The movie went on to earn another $2 million during its opening weekend. After earning its top ten release spot, it slowly tapered off and settled somewhere around $3.3 million.

Although it would likely take about $12 million for Warner Brothers to really consider a second movie, the fans who helped make the first one possible are doing everything to ensure their neo-noir detective won't slip away again. They're promoting DVD sales as well as a Veronica Mars novel.

You can stay up to date on the progress of the film via By The Numbers. While many fans already own a copy of the Veronica Mars DVD, it's not uncommon for fan bases to spike sales by purchasing an additional DVD and gifting it to a friend. They've also spiked reviews, giving the movie higher ratings on iTunes and Amazon than most mid-level releases (although critics genuinely liked it too).

If you haven't seen the film, suffice to say that diehard fans will love it as Veronica Mars resurrected. It takes place immediately after she finishes law school with Thomas and the cast planting plenty of insider tidbits and cameos to thank the fans for their long, hard fight. Unfortunately, everyone was so caught up in this as a labor of love, it wasn't as good as it could have been for a true introduction.

And this is the reason it didn't do even better at the box office. It felt too much like a reunion.

Fans are ready to stick with Veronica Mars for another six. 

Even so, does it matter? Warner Brothers could easily take the information it gleaned from this release and adjust for the next budget accordingly. Thomas could also pen a script that stays away from the reunion obligations and fights to make Mars into the neo-noir thriller she can be.

The fans, it seems, are already working to support such an effort. Not only are fans from sites like Neptune Rising promoting DVD sales, but they are also coordinating book readings for the first official Veronica Mars book, Veronica Mars: An Original Mystery by Rob Thomas: The Thousand-Dollar Tan Line (Vintage) with Jennifer Graham.

"As far as what's next, we'll have to see," Thompson told me. "But the fans of Neptune Rising plan on seeing even more of our favorite sleuth on either the big screen or the small screen."

There isn't any reason to doubt them. Years ago, when an entire season of cancellations happened to decent shows (The Black Donnellys, Jericho, Journeyman, and Veronica Mars), Veronica Mars landed in the uncomfortable position of being on the near-abandoned bubble. It looked like fan efforts were going to fail. Seven year later, there are more diehard fans today than there were then.

It's something to think about. In one form or another, Veronica Mars seems a long way off from solving her last case. And likewise, the movie proves that how networks and studios size up potential franchises is still evolving into smaller but increasingly loyal pools of viewers. Stay tuned.

Changing Creative: Did Fans Dictate Days Of Our Lives?

Ken Corday, son of the late Ted and Betty Corday (co-creators of Days Of Our Lives), recently allowed something he vowed would never happen. Characters Elvis J. (“EJ”) Dimera (formerly Wells) and Samantha Gene (“Sami”) Brady will have a second chance at romance.

Once considered a top daytime couple, the writers created an impasse that few ever thought could be overcome. Soap Opera Weekly even wrote an opinion in 2007 that largely condemned any reconnection by including them as an example of how soap opera writers treat rape as too casual.

Many fans saw it differently, specifically those who belong to the Forbidden Love EJami fan site, which has actively supported the power couple being reunited for the better part of six years. Two years ago, some of them asked me what I thought it would take for Corday to hear them out. I suggested five elements for the fan campaign. And while it might have taken two years to achieve success, the ratings have changed.

Days Of Our Lives sees its ratings rise on a storyline shift.

Despite being in an entertainment segment that some people considered in critical condition, Days Of Our Lives (Days) has recently generated a year-to-year growth rate of 14 percent among women 18-49 and 18 percent in women 25-54. More importantly, the show's ratings are up overall. It might not slow.

EJami fans are quick to attribute the ratings increase as a direct outcome from renewed interest in their favorite couple. They have every right to do so. The producers and publicity teams for the show have done everything they can to capitalize on their re-found star power. When actors James Scott and Alison Sweeney take to social media platforms like Twitter, #Days and #EJami start to trend.

The coordinated effort between fans, stars, and marketers are suddenly making soaps feel more accessible again. Maybe among specific demographics, they are more accessible than they ever could have been without social media. Some actors and actresses are not much more than a tweet away.

If the ratings hold, this could be a good case study in how one network is discovering that fan campaigns don't have to be a single-edged sword. Ergo, fan campaigns don't have to end badly.

They can transform cancellations into impossible success stories as Veronica Mars recently proved by raising $5.7 million for a fan-backed movie (stay tuned). Or, in the case of Days, they can create a sharable storyline that fans can promote and entice new viewers. As I suggested in 2007, passive viewers are now active consumers. It might have taken a few additional years for full fruition, but networks can't ignore it anymore. Fans want to be supportive of the right story lines, online and off.

The roses that Sweeney and Scott have in the hero shot above are real. EJami fans sent them to the network to celebrate what they consider a long overdue engagement. They have also been instrumental in writing the network, urging them to renew the contract. The network estimated the show had 2.3 million viewers at the time. Today, the show seems to be gaining with 2.5 million viewers. Time will tell.

After all, not everyone is happy with the EJami win. There have been plenty of other men on the show to solicit support for a renewed relationship with Sami. But so far, the numbers suggest this isn't murky.

The symbiotic relationship between series and supporters. 

While I'm someone who watches the program, I am familiar with soaps from years ago. They were a part of the culture as much as anything else on television. My parents were All My Children fans.

But my point is that you don't have to be a soap opera fan to see a bigger picture emerging for entertainment. Stories that can win supporters — people who share the show beyond a network site, who support the actors and actresses outside their roles, who are interested in different storytelling formats, and who are even willing to pony up production dollars — will eventually rewrite creator-producer-network-fan contracts. If one network doesn't want a show, creators will have more options. (If I can watch the Vikings via The History Channel app, why not any app?)

It's already happening in the book publishing world, with more writers (those with marketing savvy) willing to accept some publishing risks. While the results are still mixed, some of them have wins. In fact, there are enough wins that book revenue is up and e-books have captured 23 percent of the market.

Who is to say what the next generation of soap operas might be like? Chances are it will vary by audience. Some fans enjoy the unpredictability of shows like The Walking Dead, where leading characters are unceremoniously written off on a whim. Others, like Days, might deserve a second-chance romance like the one EJami fans have wanted for years. Interesting times, indeed. The comments are yours.

Leaking Wolverine: How Much Is Too Much?

"If it's a good movie, it won't f*cking matter. People will go see it. But if it's a bad movie, it could have consequences." — Geoff Ammer, recently departed worldwide head of marketing and distribution for Marvel Studios

At least that is the theory Ammer told AdAge about the an early print of "X-Men Origins: Wolverine" being leaked via file-sharing technology such as BitTorrent. But is it true?

According to sources, News Corp.’s Twentieth Century Fox initially pointed out that the film had been leaked in an e-mail statement, drawing even more attention to the leak before it was removed by a site they did not identify. (It was BitTorrent). Along with the announcement, News Corp. rose 34 cents, or 5.1 percent, to $6.96 today in Nasdaq Stock Market trading.

The buzz up more than quadrupled interest in the film yesterday as more than 75,000 downloads took place in a few hours. Prior, mentions of the film were steady but otherwise uneventful.

The studio also said the F.B.I. and the Motion Picture Association of America were both investigating the film’s premature distribution. The real concern, according to the studio, is that the leak was only 90 percent complete and has since received some negative buzz on blogs such as In Gob We Trust, which said "The entire film just felt cheesy, more in the vein of Batman Forever than anything else."

“We’ve never seen a high-profile film—a film of this budget, a tentpole movie with this box office potential—leak in any form this early,” said Eric Garland of file-sharing monitor BigChampagne told The New York Times.

In early 2008, a three-episode leak of Jericho Season Two (almost half of the truncated second season) quelled the excitement of the series return to television after a hard fought campaign by fans. CBS later told us it did not intentionally leak three episodes, but did release three episodes to reviewers.

That leak provided a interesting look at how fans view online leaks. Half were appalled by it; half speculated that the studio wanted the series leaked. Indeed, sometimes they do. The entertainment business is relying more and more on buzz to make major decisions. And a well-timed leak of information, clips, etc. can help drive it.

Both Jericho fans and Veronica Mars fans have kept a close eye on speculation that their series might find a new home on the silver screen. For Jericho fans, they've been receiving some mixed, although positive messages, about a Jericho movie. Veronica Mars fans have had a harder time hearing what many considered a green light only to have it turn red.

We disagree with the "leak to win" theories that seem to play on the emotions of fans or run too deep of a risk to derail momentum upon bad reviews by people predisposed to dislike them. In my opinion, fan groups, many of which are immersed in social media and vested in the creations, deserve authenticity from studios over roller coaster rides that only hope to measure prevailing interest. It's not that difficult to talk about the project over leaking the product, and provide movies a chance to thrive on their own merit.

All too often, leaks, intentional or not, are reviewed and commented on by the wrong people — people with little interest in the material — and then are panned. X-Men Origins: Wolverine could become a poster child example. In this case, the leak has resulted in a split decision among people who have seen the semi-complete film, thereby hindering early momentum that might have been driven by pockets of X-Men fans like those at X-Men Fan Site or groups within sites like Superherohype.com.

Doubling Features: Veronica Mars, Jericho

It took two years, but the entertainment industry is taking action. When audiences are engaged, ratings alone don't measure. Backed by two loyal and impassioned fan bases, two television shows are setting sights on the big screen.

Passive viewers are active consumers.

Rob Thomas, creator of Veronica Mars, recently confirmed rumors: there will be a Veronica Mars movie. He said it will pick up a few days before Veronica Mars' graduation from Hearst College. Kristen Bell is confirmed; Thomas says he has spoken with Jason Dohring and Enrico Colantoni. Why? Fans.

Jon Turteltaub, executive producer of Jericho, broke the news: there will be a big screen treatment for Jericho. While the movie will go beyond the small town setting in Kansas, Turteltaub said that the original cast is all in, including Skeet Ulrich and Ashley Scott. Why? Fans.

The Internet has changed entertainment. Expect surprises.

At a presentation held at the Sundance Film Festival, panelists — Netflix CEO Reed Hastings, YouTube CEO Chad Hurley, and Hulu CEO Jason Kilar — may have shared slightly different visions for the future of entertainment, but all of them agreed on one thing. Fans are in control.

It only makes sense. Ask the next generation when their favorite television shows air, and many of them don't know. The shows are available whenever and wherever they want. It doesn't even matter when they were produced.

New shows benefit from the acceleration of online content delivery and old shows are resurrected as if they were produced last week. Many of them benefit from consumer marketing efforts created by brand evangelists.

Not only do these fans want to see the story lines continue, but they want the depth of material expanded as well. Even if that means picking up where networks and film studios leave off, many of them are more than ready to do it.

Recognizing Reader Picks: Top Posts Of 2008

With the new year upon us tomorrow, we would like to say goodbye to 2008 with a recap of this blog's five most popular communication-related posts, based on the frequency and the immediacy of reader views after they were posted.

The 3-Deep Leak of Jericho, Season 2

What began as the early coverage of a consumer protest over the cancellation of the television series Jericho last year became the longest running living crisis communication and consumer-driven social media case study ever covered here. While the fans succeeded in reviving the show for a truncated second season after sending 20 tons of nuts to CBS, two of several factors kept the show from achieving a third season: The network never grasped that yesterday's passive viewers had become active participants. Some fans misplaced trust in the network to do the right thing (and they continue to stumble), which resulted in a fractured fan base.

Of those posts, most written earlier this year, speculation of the 3-deep leak of the show online and potential consequences led the pack. Three days later, CBS followed up with a clarification that the leak was unintentional. (The fact that Jericho leads this list is a testament to the fans' vigilance as well as the potential for groups to use social media to organize.)

Related Labels: Jericho, Consumer Marketing

The Nine Rules of Advertising, Inspired By Fred Manley

After referencing my instructional "nine rules" of advertising on more than one occasion, it seemed suitable to share a two-part post. The first post includes highlights from Fred Manley's classic “Nine Ways To Improve An Ad," which forced so-called advertising rules on the 1960 classic “Think Small” Volkswagen ad. The companion post revives advertising as a conversation as seen by Shirley Polykoff, who was the first woman copywriter for Foote Cone & Belding, before presenting Copywrite, Ink.'s The Real Nine Rules Of Advertising. The first rule? There are no rules.

Both posts can be easily applied to social media. And, if three posts make a better set, then consider Valeria Maltoni's bridge post on the topic, using Reader's Digest as the example.

Related Label: Advertising

Why News Releases Might Die From PR Confusion

With public relations seemingly confused with media relations and media relations seemingly confused with spamming journalists, it only made sense to write a somewhat satirical piece on today's most misunderstood profession. After sampling several random releases, we presented the seven deadly sins of the modern public relations professional as told to me by public relations professionals.

As well read as the post was, even being included on a tip sheet by Bad Pitch Blog, not many have learned anything. HWH PR was outed once again. Dennis Howlett banned pitches (except via Twitter). And I was reminded why being a journalist can sometimes suck.

Related Label: Public Relations

Endoscopy Center Demonstrates Crisis Communication Gone Wrong

Following the local crisis that surrounded the Endoscopy Center of Southern Nevada, which was responsible for the largest hepatitis C scare in the history of the country, became an exercise in evaluating futility. After the initial story — and then the denial, lack of empathy in a newspaper ad apology, refusal to comment on evidence, and alleged plans of the primary owner to flee the country — the center's credibility eroded until there was nothing left to believe. Eventually, the center was closed permanently.

From the series, the most popular post broke down the ill-advised newspaper apology, which opened: "Recent events at the Endoscopy Center of Nevada of Southern Nevada are causing great concern to our patients and the community at large.” Ho hum. Enough said.

Related Label: Endoscopy Center of Southern Nevada, Crisis Communication

Applying Twitter And How It Works For Business

In November, after following up as a live speaker to Aaron Uhrmacher's webinar, we had an opportunity to evaluate Twitter as a tactic for business communication (depending on the company and whether or not the people it wants to reach exist there). While there are other ways to use it, including real time reporting, we categorized six prevailing external communication approaches. They are outlined here.

The popularity of the post might reveal the need for social media participants to communicate in a language business people can understand or, perhaps, just the enthusiasm of Twitter participants to read something about, well, Twitter. There is nothing wrong with that.

Related Label: Twitter, Social Media

Five additional topics that came close in 2008

• How Veronica Mars fans continue to demonstrate unity and sustainability.
• How social media almost derailed our Bloggers Unite segment on CNN.
• Why applications like SeenThis? add value and expose trends.
• Our continuing coverage of broadcast-broadband convergence.
• TheLadders and RiseSmart battle for niche placement.

Since starting this blog in 2005, I always hoped that best practice posts would eventually draw more readers than the biggest mishaps. Looking back, 2008 seems to have accomplished a healthy mix, making 2009 more promising than ever. A very special thanks to everyone who joined the conversation to help make these posts relevant. It made a difference and it's appreciated.

Happy New Year!

Celebrating Mars: Fans Cheer Rumors

Reporting with an exclusive, Michael Ausiello with EW.com just fueled the fire in the hearts of Veronica Mars fans. According to Ausiello, Rob Thomas had an impromptu meeting with Kristen Bell to discuss a Veronica Mars movie.

"It's very tough to focus on it right now with two pilots on my plate," Thomas told EW. He is reworking a resurrected series called Cupid and an adaptation of the New Zealand series called Outrageous Fortune. "But as soon as I have any free time, that's my top priority."

The reason for the continued interest in Veronica Mars? The fan base, which assembled too late to save the series, has maintained that slow and steady is the pace to see Veronica Mars on, this time, the silver screen. They seem to right too. Bell admitted she misses the show and is bullish (while pretending to be modest) on the idea.

I started covering the fan base efforts more than a year ago as fans from three different cancelled series came together using social media to save their shows. At the time, Veronica Mars seemed the second most likely to succeed and a different show seemed to be an easy favorite as long as the fans stayed focused.

Things quickly began to change from there, demonstrating that social media is indeed merely a tool with mixed results that seem dependent on leadership. By the end of the year, Veronica Mars fans were able to exhibit that they had exactly that.

Sure, they may have smartly given up on short-term hopes to see the series return, and began to focus on making new fans while winning over the hearts of everyone they came into contact with in much the same way that BrownCoats gave Firefly its shot on the silver screen.

While Neptune Rising is still fairly far off from hearing a Veronica Mars movie has received a green light, everything seems to be working in the fans’ favor. In short, they were able to help boost Veronica Mars from a fan favorite into something that resembles a true future franchise.

It’s not out of the question that Thomas could take Veronica Mars anywhere — picking up where season three left off, her first year at the academy, with her own start-up detective agency, or anywhere for that matter.

Catching New Fans: Rob Thomas

When you visit the Web site of screenwriter and producer Rob Thomas, his work is divided into sections: Books, Film, Television, Music, and Personal Info. But one more category remains on the top of a site that hasn’t been updated since one of his projects received the green light for season two — and that would be Veronica Mars.

By all accounts, Thomas seems as dedicated to Veronica Mars as the fans are to him. I know the fans are, because every few weeks they send me an update on their activities to grow a show that was prematurely cancelled after its third season.

Sure, fan outcry from cancelled television shows has become commonplace, with everyone from Moonlight to October Road giving it their best shot. But there is one thing unique about Veronica Mars fans. They remain optimistic realists — people who accept that Veronica Mars is unlikely to return to television, but may one day see a second life with a Veronica Mars movie.

The secret to their continued success? They have several small but memorable programs in place. I was introduced to one of them last March when they asked me to “try watching three or four episodes” and see if I wanted to watch the rest of the season.

Although the question was padded, because I was already watching season three via iTunes, I gave season one a shot. Four busy months later: my family couldn’t watch three or four shows. They had to watch them all.

They are now waiting for me to order season two from Amazon.com, which will be right after I send the “loan it forward” DVD set to its next destination this week. It’s headed cross country to a blogger who might appreciate the high touch approach to consumer marketing if not the show on its own merit.

If he watches a few episodes into disc two, he might become another fan and then “loan it forward” again. After all, there is something smart about the writing in this enduring series as the primary story arches develop. Coincidently, I felt the same way about season three. The set-up doesn’t seem as strong as the middle, but it eventually becomes vital to the underlining story.

Is it working? Considering one of the fans recently presented actor Jason Dohring (he portrayed Logan) with a scrapbook full of fan letters and artwork and the fact that Veronica Mars is still being positively mentioned in the press again and again, they seem to be doing something right. And in some ways, perhaps, better than anyone else.

Sure, our friends and Jericho fans are still sending nuts, but the Veronica Mars campaign continually captures more fans and friendly media attention without the hazard of having already had its second chance.

But more importantly, after watching two seasons of Veronica Mars, I’m won over with the logic that it just feels like big screen material. Provided Rob Thomas is in the driver’s seat and some of the cast continues to show an interest before they get too old to play their parts, it really could work as an alternative to the consistently typical summer blockbusters that tend to grace the screen.

Nothing But Net: TheWB.com

A little more than two years ago, Warner Bros. Television Group (WBTVG) announced it would make hundreds of movies and television shows available for purchase over the Internet. They’ve come a long way since then.

Today, WBTVG announced digital distribution deals with Dailymotion, Joost, Sling Media, TiVo and Veoh. It already has a channel on AOL and a surprisingly dynamic Facebook application, with a trailer that ends “the next great network will not be televised.”

“The launch of TheWB.com [beta] represents a natural progression of the Warner Bros. Television Group’s digital strategy and complements our core business, which is based upon episodic storytelling, first-class distribution and providing value to partners through advertising in a premium environment,” said Bruce Rosenblum, president of WBTVG.

The move also solidifies the continued shift toward total broadcast-Internet convergence, especially since Warner Bros. will be adding original short form content. Currently, the WB beta site is offering full episodes of All Of Us, Blue Water High, Buffy the Vampire Slayer, Dangerous, Friends, Gilmore Girls, One Tree Hill, Smallville, The OC, and Veronica Mars.

What will be especially interesting is if the new site might even provide viewers another opportunity to resurrect some shows that did not perform well according to Nielsen ratings. Several had developed strong Internet fan bases, including Veronica Mars, Moonlight, and Supernatural.

Moonlight fans found out their show was cancelled in May while Veronica Mars fans are still working hard to see their favorite detective move from the small screen to the big screen. (Supernatural has at least one more season left on The CW; we hope many more.) According to fans, all of these shows have a following that is not well represented by Nielsen.

For WBTVG, the move toward an all-digital network might also provide marketers and advertisers with more options than investing exclusively in their own original content to reach an audience that is already outpacing traditional media. The primary advantage for WBTVG over other networks seems to be that they are unencumbered by any attachments to traditional media. For them, it’s simply full steam ahead.

Demonstrating High Touch: Veronica Mars Fans

Social media continues to prove high tech communication is an effective means to communicate, organize, and establish a presence. However, one can never underestimate the impact of high touch over high tech. It’s tangible. It’s memorable. And it’s effective long after any online communication has faded from memory.

John Sumser, The Recruiting Roadshow, and Doug Geinzer, Recruiting Nevada, demonstrated they understand the value of high touch communication as well, sending handwritten notes shortly after The Recruiting Roadshow was hosted in Las Vegas. The notes were polite, personal, and remain top of mind.

Fans Add High Touch To Online Campaign.

Yesterday, I received a package from the fans of Veronica Mars. It was somewhat unexpected, and appreciated. The reason I say “somewhat” was because Veronica Mars fans sent me a note last year asking if they could send me a gift for writing about them here and there. While I was flattered, I declined. It was my pleasure. And, old journalist habits die hard.

A couple of days ago, however, Rachel Gerke, one of my original contacts with the Veronica Mars fans, asked if they could send me a “thank you.” Sure, I said.

What I didn’t know was they were sending me the Veronica Mars First Season DVD. It is not a gift. It’s part of their “Loan It Forward” program.

“We are asking you to try watching three or four episodes to see if you like it and decide if you want to watch the rest of the season,” explained Mark Thompson from Neptune Rising. “After you are done with the set, we are asking you to loan it forward to somebody else and give them an opportunity to see if they might like our show.”

Veronica Mars fans convinced me several months ago to give their show a chance. I have, relying on Season 3 episodes that are easily downloaded from iTunes. It's a good show, no question.

However, they sent Season 1 because they felt it better represents their passion. Season 1 and Season 2 are the primary reasons that fans, which saw their show cancelled last year, are campaigning for a movie.

Perhaps even more than a movie, they are campaigning for community. The Neptune Rising forum remains a positive, well-organized fan-generated project with clear objectives. I’m not surprised; some ideas are inspired by Browncoats, fans of the series Firefly.

One of several ideas the Veronica Mars fans have recently adopted is a cruise, which will depart from San Diego on Nov. 28. It includes stops in Cabo San Lucas and Ensenada. Tour sites may include Mars Investigations, The Neptune Grand, Camelot Motel, Dog Beach, and much more.

In Europe, fans are also getting ready for a joint Veronica Mars — Prison Break convention this June 13-15 at the Thistle Hotel, Heathrow, London. It is there they hope to present fan scrapbooks to Kristen Bell and Jason Dhoring. Convention information can be found here.

"We knew about the convention two months ago; they organize events for the fans of TV Series," says Sara Pillitu, who helps with the European Chapter of Neptune Rising. "This is a great chance to meet up with other fans, and maybe have them campaigning with us."

The fans have also remained in contact with Veronica Mars creator Rob Thomas, who is currently working hard to become the busiest man in television. Thomas even has a downloadable original pilot script on this personal site.

The “Loan It Forward” program and joint fan collaborations demonstrate a high touch element to online efforts. Enough so that if a well-read blogger hasn’t been introduced to Veronica Mars, I invite them to drop me an e-mail. I’ll be happy to send along the “Loan It Forward” set, er, as soon as I’m finished.

The two Josh Whedon-inspired comics, Serenity 1 by Dark Horse and Angel #1 by IDW, on the other hand ... well, those will stay here. It was a very thoughtful gesture and they will always remind me of Veronica Mars fans at Neptune Rising.

Thank you, though the pleasure has always been mine. I've already thought of a pay them forward too. I'll donate the value (but not the books, since I am both a Firefly and comic fan) to a non-profit, under the name "Veronica Mars." Be cool, Soda Pop.

Taking Leaps: NBC Blinks, Sees The Future

The Bionic Woman will not be rebuilt, but NBC Universal wants to rebuild television. On Tuesday, the network announced it would move to a year-round schedule of staggered program introduction.

According to The New York Times, NBC will be committing to a new lineup of shows earlier than any of its competitors, while also inviting advertisers to build marketing plans around specific shows and perhaps to integrate brands and products into the plots of the shows themselves.

“We absolutely think this is going to change the industry,” said Michael Pilot, head of sales for NBC.

The departure places a real question mark on the viability and importance of the Nielsen rating system. Nielsen is not prepared to measure a 52-week season; the bulk of its measure is based on traditional sweeps. Tradition, it seems, is dead.

“The ultimate decision is going to be made by program executives who believe in the shows,” Marc Graboff, the co-chairman of NBC Entertainment, who said that they are looking to have a two-way conversation with advertisers.

That makes sense, given more advertisers want a two-way conversations with customers. And customers want to be heard.

Whether this decision plays well for the fans of recently cancelled shows, or those on the bubble, has yet to be seen. For NBC, the show is Journeyman. So far, despite the inventive Rice-A-Roni campaign, the best outcome for fans seems to be based on a rumor that a few more episodes of season one might see the light of day.

For CBS, everyone knows the show is Jericho. With season 2, episode 2 ratings being called a virtual disaster, even sympathetic critics seem to think there is little hope left.

It’s not because fans don’t watch the show (on TiVo, Jericho ranks as the 11th most recorded show on television). It was also the network's second most downloaded show after CSI. And leaked episodes were downloaded in droves. One hold up: Nielsen families don’t watch Jericho live.

And that might be enough. Nina Tassler, president of CBS Entertainment, warned fans early on that she wanted more live viewers before committing to a third season. It’s something I kept drawing attention to when some fans insisted CBS wanted them to hang out in the CBS forum instead of out and about recruiting new fans. No matter, it wasn’t the only mistake made by fans or CBS.

The best hope for fans is that this "live viewers" condition was made on a network-decision model that doesn’t exist anymore. Every show is being considered on a case-by-case basis. It’s a new era of network decision-making; the kind that shocks the system as cable shows like Dexter make the jump from cable to mainstream despite growing protest.

At the end of the day, the decision will all depend on how CBS decides to crunch the numbers. If the old model is applied to Jericho, it will die. If the new model is applied, there might be a chance.

The same can be said for other shows too. The future model will allow shows like Journeyman or even Veronica Mars to avoid current ratings system and time slot traps. But that does not mean the networks have to apply this thinking today.

Counting Down Jericho: Tick, Tick, Boom

There are only three full days left before many of the questions surrounding Jericho, the television series given a reprieve last year, begin to shift from speculations and to undeniable facts. Starting Feb. 12 and for the weeks that follow, CBS executives will be considering which of two second season episodes shot will air on week seven.

Will that episode wrap the fan-inspired story forever or usher in a complete unabridged third season?

It’s not the only question, but it is the one that is weighing heavily on the minds of several thousand fans who spent the last nine months talking up the show that they helped save with about 125,000 signatures, 40,000 pounds of nuts, and countless e-mails, postcards, letters, phone calls, blog posts, articles, interviews, forum discussions, YouTube videos, etc. No one really knows the answer, but there are plenty of people hoping for much more than seven installments.

“I was just thinking about those shiny new episodes that everyone has worked SO hard for. There seems to be a buzz about them, but my greatest fear is that this is the beginning of the end. We got CBS to reconsider their decision, but will the public follow?” — Jessielynne73 (fan screen name)

“The one thing that stands out the most to me is how Schumi made sure to stress that everyone’s efforts counted, and how much her daily ‘command orders’ inspired us all." — Maybei (fan screen name)

“What stood out to me were the awesome videos made by the fans to encourage and inspire us in the fight to get Jericho back. I am so glad that CBS is acknowledging them on the Jericho homepage with the fan video of the day." — DBalcer1 (fan screen name)

“I’m in Romania so the show aired here [much later]. I’ve gotten hooked on the show since … and I’ll be hooked for the rest of my life.” — Twister22 (fan screen name)

"What stood out in my mind was the commitment everyone made to make sure Jericho was not forgotten. I love that the actors have said how much they appreciate and love the show (and their fans). That's rare in TV series."— Idyoutlw (fan screen name)

“What stands out to me is what hard work it's been, but it has ultimately been worth it. I've talked to people I would probably never gotten to know otherwise, learned a lot, and made some good friends. Even if (heaven forbid) we don't get any more than these seven episodes, it was all worth it, and I'd do it again." — LisiBee (fan screen name)

For the fans, it must seem like another lifetime when the only question people asked was what would CBS executives do with 22,000 pounds of nuts?, an early estimate that was quickly eclipsed with 18,000 more.

That question was answered: the peanuts were sent to the zoo; the “Jericho nuts” were sent the promise of seven shows.

Jericho "nuts" doesn’t have as much charm as “Jericho Rangers,” as I know them, but Ken Tucker with Entertainment Weekly seems to have some doubts whether season two will have mass appeal. Although temperate in his review, he did see some promise in two performers, who he says bring “some cracked intensity into this grim fantasy.”

We shall see. Much like we’ll see the answers to many other questions even though I suspect some will never really be answered.

“Will CBS, which cancelled 20 projects during the writer’s strike, reconsider how it counts Nielsen ratings?”

“Did the three episode leak help, hurt, or have no bearing on the premiere of the second season?”

“Did the writer’s strike (which just reached a tentative agreement) help attract viewers who are starved for new non-reality show content on television?”

“Would fans have fared even better without the just-below-the-surface in-fighting among the most visible?”

“Did the fans meet those conditions uttered by CBS Entertainment President Nina Tassler that they had to 'recruit more fans?'”

“Will CBS ever learn how lightly guided consumer marketing and social media really works?”

“Does Jake fit better with Heather or Emily?”

Doubtful. Almost. Not like it could have. Probably. Maybe. Its online viewing platform certainly looks better. And last but not least, there are some fan debates you learn to stay far away from.

Personally, I just hope the fans are able to punctuate the impossible show cancellation reversal and capture enough ratings to see their efforts stick. Objectively, the ratings of season two episode one will matter less than season two episode three or four.

I also won’t be surprised if NBC or FOX pays some attention to the outcome. With more then 2,600 boxes of Rice-A-Roni (not counting individual shipments) being mailed to Jeff Zucker, NBC might find going back in time and undoing a decision is sometimes better than starting from scratch.

Wouldn’t that be something? I know a girl detective who would think so too. But for now, it’s all about the little town in Kansas that thought it could. Given that I believe consumers matter, I hope it can.

For a behind-the-scenes look at season two and some surprisingly crisp full episodes of season one, visit CBS here.

Special thanks to Jane Sweat who contributed fan comments to this piece.

Ending 2007: Old Media Is Dead

If any year will ever stand out as the most dramatic change of direction for network television, it will likely be 2007. And if there is any credit is to be given, it doesn’t belong to a single network or broadcast executive, but rather the collective efforts of fans from several television shows, with Jericho Rangers leading the charge in the form of 20 tons of nuts and constant coverage from personal blogs to The Wall Street Journal.

Sure, while some networks and corporations like AT&T were quietly looking at broadcast-digital convergence long before Jericho was cast, Jericho fans helped set the agenda this year and hastened the pace. They did much more than save a television show by convincing CBS to offer up an olive branch in the form of a truncated second season premiering Feb. 12.

They demonstrated the power of organizing consumers via social media. They set a precedent of tracking signatures, e-mails, postcards, phone calls, and protest purchases. They pushed for sweeping reforms at Nielsen Media Research, enough so that Nielsen began to listen to them more than the networks it serves. They established alliances with other fan bases like Veronica Mars fans to expand their campaign five-fold. They made contact with writers, producers, cast members, and crew, giving everyone something to think about, including advertisers.

Passive viewers became active consumers

The writer’s strike is precisely what I’ve been writing about for almost two years: the transition between the era of old to the era of new media. The Writers Guild of America (WGA) even cited it as the primary explanation for the most recent stall in contract negotiations.

"The media conglomerates know that the core issue in these negotiations is new media. Their current proposals would cause writers even more economic harm in the future than they claim this strike has caused.” — Writers Guild of America

While the networks seem unwilling to make an agreement, the WGA and David Letterman's Worldwide Pants production company have reached a contract agreement that includes the proposal put forth by the WGA on Dec. 7.

In other words, production companies and writers are starting to make the deals that the networks are unwilling to make. And if that happens across the board, then network television will be reduced to a distribution channel at a time when content creation is the only tangible commodity. Distribution is easy.

Change happens in small, unseen ways

Cox Communications is one of a handful of multi-service broadband cable service providers that is beginning to offer OnDemand commercial programming, which would allow companies to produce and distribute their own television programs. This means that a company has the potential reach of 6 million residential and commercial consumers.

Once produced, segments of these shows could easily be repackaged for distribution across other platforms like YouTube, Revver, Apple iTunes, and countless others. The possibilities of programming are seemingly endless, well beyond OnDemand infomercials. It also opens the doors for enterprising producers to create their own programs, saving six to eight minutes per half hour for sponsors, much like local market home shows used to do.

The networks are hastening the need for change

As ratings continued to fall this last year, advertising rates continued to rise. The reason was that advertisers were less willing to experiment and attempted to simply purchase more spots to reach the same viewing audience that they once captured by buying fewer shows.

It’s only a matter of time before the burden of building reach shifts away from advertisers and onto the networks again. After all, the concept of last minute scatter market buys will likely die this year as marketers begin to realize they spent 18 percent more for primetime "scatter" than they ever hoped to save.

Even the classic measure of cpm (cost to reach 1,000 viewers) is being questioned. It doesn’t seem to hold as much weight as a measure as it used to. A lower cpm, augmented by Internet presence, can have a greater impact and make more sense as fans are eager to spend an hour or two talking about their favorite show on the net rather than watching the programs that follow.

Old media will become an abandoned term this year

It’s not so much that old media is dead as much as it is that old media has been challenged to become indistinguishable and better than new media. It’s the kind of challenge that will lead to bright possibilities in journalism and broadcast. The new year will be the year to decide. Will a company adapt or die?

Reality programming is not the answer. With rare exceptions like Survivor and American Idol, the net has taken over the reality programming niche. Not only can we watch real-life realty clips on YouTube, but also entire lives put up for consumption with live streaming. The networks need better niche programs.

It’s the very reason networks have to end the writer’s strike soon. It’s only a matter of time before some people begin to realize that the networks are not the only way to reach an audience. Big names in every facet of the entertainment industry are learning that the old model of distribution is dead.

Don’t believe it? Heck, even this blog, which might be considered in the minor leagues compared to what we would like to do on our own or with partners, reached 100,000 people this year. Not bad for an experimental platform.

Thank you all again for making this year a success. We look forward to seeing you in 2008! Happy New Year. Please be safe.

Campaigning Fans: From Jericho To Journeyman

Yesterday, Amy Vernon with Remote Access let Jericho fans know that Universal HD, a cable network owned by NBC Universal, is airing Jericho for two mini-marathons in high definition, starting tonight. One person commented.

A few days ago, CBS launched a viral YouTube video that is aimed at fans more than new viewers. To date, it has received less than 15,000 views, a fraction of what Jericho fans once mustered. Even the positive comments hint at frustration.

“Thank you, CBS, for finally letting us know what the freak is freaking happening.”

Despite still being the rally cry for consumers, with Charlie McCollum, The Mercury News, recently telling Journeyman fans “good luck with that although it certainly worked with ‘Jericho,’” Jericho prospects are tired of hearing about the campaign that saved the show and not the show. Meanwhile, even diehard fans are growing weary of carrying the rally banner for more than six months with the first real word from CBS arriving last week. Too little, too late? Maybe. We’ll know in February.

All fan campaigns have limits. For evidence, take a look back at the three we turned our attention to last June: The Black Donnellys, Veronica Mars, and, of course, Jericho.

The Black Donnellys (TBD), which was pulled from the air after the first five episodes (and even one of those was unaired), was the long shot. After placing their faith in sending 670 pounds of crackers to HBO (not NBC) to pick it up as a Sopranos replacement, TBD fans had nothing left to do when HBO politely said “no” just prior to the release of TBD DVD. The fans had the passion, but not the numbers nor a full season. Abandoned.

Veronica Mars fans surged in September prior to the launch of a Veronica Mars season three DVD. Since, sales have been admirable but not earth shattering and the fan base is somewhat hindered as people focus on the holidays. If there is any spark left that will carry the concept of a movie, it might be the abundance of DVD giveaways from places like Buddy TV. Not abandoned, but coming close to a closed case study.

Jericho has also seen its share of diminished fan interest despite the best hope for a full revival after CBS acquiesced. CBS will make good on its promise to air the truncated second season in February. However, the network not only missed an opportunity to engage fans, it may also be responsible for the discourse seen throughout the post-renewal campaign. The net sum of six months suggests the network’s half-action split fans into two groups: those who believed CBS will support the show, and those who did not. Alive and well, at least through April.

All three of these campaigns provide some great insights and case studies for fans rallying behind the newest show facing cancellation — Journeyman.

Immediately following the news that NBC allowed the deadline to pass for picking up the rest of Journeyman season one, fans began a campaign to save the show, which includes pooling funds to buy and send boxes of Rice-A-Roni to Jeff Zucker, president and CEO of NBC. Why Rice-A-Roni? Journeyman takes place in San Francisco.

While I’m still being brought up to speed on the viability of the Journeyman campaign, it seems clear that consumers are increasingly prepared to pummel networks for quick cancellation of good shows. Sooner or later, networks might get the message: the old rules are dead. Nowadays, it’s better to feed shows on the bubble than let them fade quietly into the night because there is nothing quiet about vested fans and brands can only take so much.

Speeding Messages: Fans4Writers

Most people already know that the Writers Guild of America, West, (WGAW), and the Alliance of Motion Picture and Television Producers (AMPTP) have mutually agreed to resume negotiations on Monday, Nov. 26. While Patric Verrone, president of WGAW, cautioned that returning to the bargaining table is only a start, it seems unlikely this strike will eclipse the five-month strike that occurred in 1988.

Why? The Internet, of course.

No, not because of the impending mass exodus of viewers to the Web as The Wall Street Journal might suggest to some. Forbes seems to have captured the better picture on this concept, noting that Americans tuned in to television programming more than eight hours a day last year, a record high unchanged from the previous year.

Network ratings aren’t down because people watch less television. They are down because viewers have more control over their entertainment options. Simply put, if viewers do not like what is on the major networks, there are hundreds of other channels to choose from. And, if they don’t like any of those programs, there is always the DVR list, stocked full of saved programs.

Convergence will work in other ways, but it won’t mean the death of television, only a transformation of how we see it today. Most of it will be for the better.

Why? The Internet, of course.

Passive viewers have become active consumers. And these consumers connect, organize, and take action on (and off) the Internet. Let’s take a look.

Fans4Writers, which was started by Joss Whedon (Firefly and Buffy The Vampire Slayer) fans, quickly opened to other veteran fan groups, including well-organized Jericho and Veronica Mars fans. This created a near immediate communication stream, first between all fan groups, and then between fans and writers.

It works something like this: striking writer captains upload a message on the Internet, like sending pencils to “media moguls.” This information is rapidly picked up by Fans4Writers. Unofficial representatives of various fan groups quickly relay this information to their centralized forums, which is then taken up by individual fans. The communication stream takes a few hours, maybe minutes.

In contrast, the networks are mostly communicating their case through the AMPTP, which posted its defense online and then attempted to communicate its message through mainstream media, primarily print (because network coverage of a writers strike doesn’t resonate). These messages are then filtered by journalists, some of whom are more sympathetic to the writers, who make better interviews anyway. It might take a day or days for the communication to reach the public, and there is no guarantee the message will survive. In fact, it often doesn’t.

Why? The Internet, of course.

So, there is a good chance the Internet, which caused much of the contract conflict, will likely also be the reason this strike will be short. After all, networks and studios tend to have a neutral or even adversarial relationship with their customers whereas producers and writers are becoming increasingly engaged with them.

When you think about it, this creates a significant brand shift. When today’s viewers think Jericho, they think Carole Barbee and Dan Shotz (some even think Steingberg, Chbosky, and Schaer), before CBS. When they think Firefly, they know Joss Whedon. When they think Veronica Mars, it’s Rob Thomas.

It used to be only a few creators were so well connected with fans; nowadays, it’s everybody. No wonder only 6 percent of the public support the executives and 72 percent support the writers. For fans, the brand disparity seems apparent: writers create the shows they love and the networks decide if they’ll be allowed to watch them.

Paying Peanuts: The Networks

When the Los Angeles Times asked Michael Colton and John Aboud, the writing team behind the Best Week Ever, how to shut down a television shoot, rallying Jericho fans took the number one spot, just ahead of telling a “Teamster that Jeff Zucker made fun of his mom.” Why Jericho fans?

“They brought a show back, they can take one out.”

While the top seven ways to stop a shoot was comedic (allowing Hugh Jackman to sing made the list), it might make some sense. The writers strike could be the perfect opportunity for Jericho fans to stop taking each other out on the CBS Jericho message boards, and begin to building a fan effort in support of the writers.

Such a move would only increase the exposure of the show before it returns in January by engaging all television fans about something they are passionate about. Fan crossover is somewhat proven to work. For the most part, there has been continuing cross over between the fans of Veronica Mars, Supernatural, and Jericho.

Each engagement between Jericho fans and other fans of any other show that is suddenly in the same boat might give Jericho a real shot at capturing January ratings. Yes, I said January. So far, CBS has no plans to bring Jericho back any earlier, which is good news for the fans. When I ran into BlogTalkRadio host Shaun Daily at BlogWorldExpo yesterday, he even said Jericho producer Carol Barbee was of the same thinking.

An early return of Jericho, especially in light of the writers strike, would mean immediate reinstatement on an arbitrary night and virtually no promotion. If fans focus on a January return, and perhaps help striking writers, they have two months to ramp up their show and build awareness with, well, anyone who also has a fan stake in the strike, regardless of what CBS does or doesn’t do.

Why would fans want to support the writers? The way I see it, fans can listen to the case as it was made by United Hollywood on YouTube or simply consider the reality of this strike. If the strike runs too long, many shows will not be coming back or, at best, may come back on a bubble.

According to the Dallas Morning News, the biggest loser of the 22-week strike in 1988 was broadcast television. It lost an estimated 10 percent of its network viewers.

Not only were those viewers lost forever, some shows did not survive. Nowadays, 10 percent can make the difference between a hit and a miss. In fact, an 18 percent drop after a much shorter break was enough for CBS to cancel Jericho in the first place.

Besides, Jericho fans may even have the best message if they were so inclined. What’s that?

Stop paying writers peanuts.

Striking Writers: Writer's Guild Of America

Although a federal mediator has called a last minute Sunday morning meeting between major media and the Writer's Guild Of America (WGA), it seems certain that 12,000 writers will go on strike Monday.

From the network perspective, budgets are going up while ratings are going down. From the writers perspective, they want higher residuals, especially from DVDs (they are asking for eight cents per copy as opposed to three or five cents). And they are serious.

As Jericho fans know, the strike could return Jericho to the small screen much earlier than as a truncated midseason show in January. But as the old saying goes, be careful what you wish for.

Coming back as a Band Aid for CBS would mean limited promotion time prior to a start date (not that CBS seems like it would go gangbusters on it anyway). This also assumes Jericho fans and new viewers will be satisfied with some lower budget solutions that made it impossible to pick up where the season one cliffhanger left off. And, with only seven shows in the can, even if season two was a hit, fans would once again find themselves looking at yet another long wait between seasons.

From the fans' perspective, it doesn’t make sense. For Veronica Mars fans, on the other hand, a writers strike could help return it to syndication, giving new viewers a chance to see the series for the first time. You never know what might happen if that happened. Why? Because in new world of media, crazier things have, are, and will happen. Don’t believe me?

• ABC recently asked Rob Thomas to bring back Cupid, a 15-episode series that debuted in 1998.

• The Teamsters’ 4,500 truck drivers, casting directors, and location managers may join the WGA strike. ABC, on the other hand, suggested writers consider dropping or converting their WGA membership to work anyway. Yep, crazy.

Raising Neptune: Veronica Mars Fans

Kristen Bell, best known for her role on the cult hit Veronica Mars, will be joining the cast of Heroes this Monday. And with her, she may be bringing thousands of Veronica Mars fans.

Veronica Mars fans have long since noticed that the Veronica Mars DVD will be released the day after Bell’s debut as a new character with mysterious electric powers. In preparation, hundreds of fans have downloaded fliers to help promote the Save Veronica Mars Web site under their combined group banner Neptune Rising.

As part of their DVD promotion efforts, Veronica Mars fans have even pooled together enough money to, weather permitting, fly a banner "Buy Veronica Mars Season 3 On Sale Now" from Middletown, Ohio, to Cincinnati.

“The flight will be approximately an hour long and we are hoping to hit rush hour traffic along two expressways,” says Mark Thompson, who operates the Save Veronica Mars Web site. “Cloudwatchers flew one for Veronica Mars to get us a Season 3 and campaigners for the show Invasion flew one trying to save their show last year as well.”

Thompson says renting planes is becoming commonplace for fan groups. CSI fans, he says, are looking to rent planes with banners to save a character on the show. In addition to the plane flight, they are recruiting bloggers and other fans to make noise on the Internet this Monday and Tuesday.

Veronica Mars fan Rachel Gerke, who pitches better than many working public relations professionals I know, tells me that on Oct. 23, Veronica Mars fans will begin collecting letters to make fan scrapbooks for Kristen Bell, Rob Thomas, and Alan Horn, president of Warner Brothers. The scrapbooks will take some time to get together, but fans are hoping to complete the project as a holiday gift. And, half a world away, a Veronica Mars fan has been promoting an Oct. 26 start date for Veronica Mars syndication in Australia.

Combined, Veronica Mars fans have easily redeemed themselves since the Buddy TV story in June told them to turn to Jericho fans for help. Nowadays, it almost seems to be the other way around.

The difference isn’t in the fans; it’s in network communication. Jericho fans are still mending fences after fan fallouts caused by some who lobbied Nina Tassler’s message, which implied that CBS fans might save the show if they simply “hung out” on the CBS message boards. While most fans are friendly, visiting the kitchen tends to drive more people away over disputes than it can keep.

For Jericho, the best ideas continue to be those away from the network (it’s about time). Next week, I’ll be looking for them to see if we can find some kind of sum up and solidarity.

If there is a lesson to be learned by networks, there seems to be two distinct ways to work with passionate fans: either partner with them and provide the support they need or stay far, far away. Unfortunately, CBS tends to fall somewhere in the middle, floating messages out through select fans and editing posts that might distract from those who seem closer to them.

Although the stay “far, far away” approach might seem frustrating for Veronica Mars fans at times, they should be happy not to have a halfway headache. The result is a clear focus: Veronica Mars Season 3 DVD goes on sale Oct. 23. If you haven’t heard, I expect you will.

Covering Hot Topics: Third Quarter 2007

Every quarter, we publish a recap of our five most popular communication-related posts, based on the frequency and the immediacy of hits after they were posted. While we base this on individual posts, some are related to larger case studies.

Nina Tassler Talks; Jericho Fans Listen

If there is one person at CBS who has captured the curiosity of fans that have a passion for the nuclear terrorist attack/small town survival drama Jericho, it is Nina Tassler, president of CBS Entertainment. While most of her attention has been vested in putting out fires related to the rating challenged, nothing-but-controversial buzz that has become Kid Nation, when she speaks about Jericho, fans listen. Of all our coverage related to consumer marketing challenges and successes of this television show in stasis, none compares to the Tassler post that asks if she has surrendered her early edginess to wrangle ratings. Jericho fans hope they can turn Tassler into “Jericho buzz believer” into a full-fledged “Jericho Ranger.” It won’t take a miracle, but it will take a season 2 start date.

Links: Jericho, Nina Tassler

Bloggers Blog Against Abuse

People spend a lot of time “talking” about social media, but Antony Berkman, president of BlogCatalog (and the entire BlogCatalog team), is one of the few who talks less and does more and has fun doing it. Determined to prove that bloggers can do good and social media can influence change and produce outcomes beyond the Internet, he asked BlogCatalog members to post against abuse on Sept. 27. BlogCatalog members were not the only ones: more than one thousand bloggers from all over the world made abuse the most-talked about topic on the Internet. The largest social awareness campaign in history moves beyond buzz and produces tangible outcomes — bloggers who inspired tens of thousands of people to take action. For our part, we launched the “Blog For Hope Post Competition in cooperation with BlogCatalog. The submission deadline is Oct. 10.

Links: Bloggers Unite, BlogCatalog

Borg Think Infiltrates Social Media

It takes many forms, some with the best intentions, but there is only one outcome. In hoping to guide social media into the mainstream, sometimes prevailing blog think leaders overstep sharing their opinion and offering guidance by staking leadership claims over the Internet. Whether written up by a few as a code of conduct over the many, or proclaiming territorial dominion over the ideas that litter the Internet in posts, on blogs, and a myriad of PDF files, we can only hope that forced assimilation doesn’t sweep across the entire social media structure. The outcome would lead to the denial of new ideas and inability to challenge old ones. While civility is always appreciated on the Web, the pioneers today might remember that collective think or the promotion of fear is not the answer. The solution is clear: lead by example, not by force of law or pirate threat.

Links: Borg, Pirates

John Mackey Tells Whole Truths

John Mackey and Whole Foods Market Inc. (WMFI) beat the Federal Trade Commission with the $565 million purchase of Wild Oats Markets Inc. (maybe that’s the good, or not), but the Securities and Exchange Commission (SEC) investigation still ongoing. While some people frame the issue up as a possible SEC violation or transparency issue, one of the most pressing aspects of this case study is how it chips away at what some call the tenets of crisis communication. In the case study of Mackey, he largely ignored these tenets and managed to remain at the helm of Whole Foods, with more people defending him for posing as “rahodeb” and using the pseudonym to disparage and deflate the competition before purchasing it.

Links: John Mackey , Whole Foods Market

Veronica Mars Fans Organize

Fans of Veronica Mars, the critically acclaimed teen drama/mystery neo-noir series starring Kristen Bell, demonstrate that they are not to be underestimated in their efforts to encourage Warner Bros. to syndicate the show and prove the power of this fan base is strong enough to support a movie despite the cancellation of the series. In their efforts as consumer marketers, they have developed action points that are reminiscent of a communication plan while remaining courteous and supportive of Bell and series creator Rob Thomas. Unencumbered by the rules of communication, Veronica Mars fans are working to prove consumer marketing works.

Link: Veronica Mars

Runners up (no order) include: Buzz Is Not A Measure, which reminds blog evangelists to focus on outcomes as opposed to buzz metrics; the Jericho Fan Fiction Contest, which shared some great stories and promoted a different look at Jericho on more than 50 sites, blogs, and social networks; one of two blog dramas turned positive by reminding people one gumball is not better than another; the results of an unscientific online ethics poll; and our use of the Career Distinction’s Online Identity Calculator as the basis to flush out the online identities of various public figures individuals.

While a few “bad news” case studies made it into the top spots, this is the first quarter they have given way to education-oriented and social media action, which represents a pleasant surprise. Last quarter, we wished for more attention to be given to our underpinning concept that strategic communication is best suited to drive social media and it looks like we’re getting it.

So there it is once again; the top posts as tracked by reader interest. Thank you all for dropping by, adding comments, promoting stories, and continuing to bring communication issues to our attention so we may offer up our sometimes serious (sometimes silly) take on them. Whether you agree or not, we appreciate that in our pursuit to tackle such issues, our readers have remain steadfast in never mistaking communication discussion for anything but objective discussion of issues, actions, and behaviors as they relate to communication.

Nothing But Buzz: Hey! Nielsen

Hey! Nielsen, a new opinion-driven social network from the leading provider of television audience measurement and advertising information services worldwide, is in public beta. Beta is the operative word.

It’s not The Nielsen Company’s first foray into the Internet. It also has BlogPulse, which is an automated trend discovery system for blogs and powered by Nielsen BuzzMetrics. BlogPulse is not the most used Internet measure, but its trending tools are well conceived.

BlogPulse is the reason I had high hopes for Hey! Nielsen despite fan efforts to change the failing rating system. Instead, I’m not sure what to think.

“Hey! Nielsen is more than just a new idea in opinions and social networking: it's a way for you to influence the TV and movies you watch, the music you listen to, and more ... all while making a name for yourself,” says the Hey! Nielsen page.

Buzz Breakdown

Wow. Someone crisscrossed the objectives. How can you accurately gauge fan buzz on the Internet if you are dangling “fame” in front of the people scoring the system? It adds the same kind of superficial buzz measures that are overshadowing Web metrics. And, it all takes place in a walled garden approach that people like Joseph Smarr want to rip down via Plaxo. (The interview by Scoble convinced me to check Plaxo out.)

Did I mention “beta” is the operative word?

It took less than a day for fans to see what Hey! Nielsen really is — a social network that asks “users” (a word that is well past its prime) to pile into the school gymnasium and have a shouting match. Those with the biggest lungs win. And those with the most outrageous comments get the most attention.

Jericho Fans

My hat is off to Jericho fans for dominating the Hey! Nielsen site and making Jericho number one on Monday and Tuesday before all those Supernatural fans showed up and Jericho settled into second place. Firefly is third. Heroes finished fourth. Veronica Mars, which I wrote about last week, is holding its own.

Beta Pains

But the most telling result in television is that Facebook was tied with Ugly Betty for eleventh place until today. (I didn’t even know Facebook was on a network; I better pay more attention.) Linkedin, in television rankings, still holds at 60; and MySpace is ranked 40. Again, that’s in television; never mind Internet rankings.

Worse, Supernatural and Jericho fans were recently accused of spamming the system. Huh? It’s not the fans; it’s the system.

Hey! Nielsen also tries to influence the influencers on their blog with Steve Ciabattoni writing: "Thankfully, those fervent fans are also commenting and giving opinions on more than just one topic while they're here, which is exactly what we want: Deep profiles, and a deeper sense of who's out there -- and from your posts, we can tell that some of you are really out there!"

Did I mention “beta” is the operative word?

Hey! Conclusions

The Hey! Nielsen team has some pretty bright people working on it. So perhaps from beta testing a real measure of fandom might emerge from the mob rules chaos that currently exists. As it stands, not much can be determined. Hey! Nielsen even ranks second in Internet rankings (on its own system).

I was also surprised to find Copywrite, Ink. in the mix (although I might tank after this write up). Thanks for the faith!

So here’s the bottom line from an end consumer (because I am not a tech guy, which can sometimes be a good thing). Hey! Nielsen has a robust, extremely fluid interface with tremendous potential. Where it misses is in providing any sense of real measure beyond mob rules buzz. The widgets are pretty solid.

Personally, I think Hey! Nielsen would have been better off setting the topics up, linking in media critic and blogger reviews to those subjects (with the reviews subject to review), weaving in some of its BlogPulse trending technologies, and asking people to vote and comment on that. It would have gamed it a bit, but not nearly as much as it is being gamed now.

If any fan groups deserve some extra kudos, it’s Jericho and Firefly. I’m amazed that both fan bases, with one show in stasis and another long ended, have quickly rallied and dominate the site. If we’re talking influence, there it is.