Is The ALS Ice Bucket Challenge Really A Win?

When marketers think about outcomes, it's hard to argue with numbers. The ALS Association has earned $88.5 million in donations (and counting) this year versus $2.5 million during the same period of time last year.

The nonprofit organization bumped up other numbers too. According to the only national nonprofit organization fighting Lou Gehrig's Disease, they've added 1.9 million in new donors. The reason this new donor count is important is it demonstrates that many of the people taking the ice bucket challenge are donating too. And even if they don't donate, it doesn't matter.

The truncated rules of the ice bucket challenge are pretty simple. If you accept the ice bucket challenge, then you donate $10 and nominate three more people versus donating $100 outright. Your decision has to be made in 24 hours. All nomination videos are shared on social networks.

In sum, this is a viral campaign built on a pyramid scheme that resurrects the campy but famous Faberge Organics tagline "and she told two friends ... and she told two friends" (plus one). So even if someone doesn't donate or refuses, there is a good chance someone else will accept and donate.

There is nothing wrong with that. So why all the pushback? 

As the ALS Association campaign continues to succeed exponentially, the ice bucket challenge has picked up its fair share of detractors. Most of the pushback revolves around seven complaints.

1. Whether or not these donations will cut into other charities.
2. Whether or not it is a giant waste of water and resources.
3. Whether or not animal testing is justified to benefit humans.
4. Whether or not clinical trials justify stem cell research.
5. Whether or not it reinforces slacktivism, which hurts activism.
6. Whether or not this cause is more important than another.
7. Whether or not the challenge has worn out its welcome.

All seven have varied degrees of merit, depending on personal perspective. But other people don't think so, with a few people coming out against those who are against the challenge. So mostly, ice bucket challenge haters beware. Or maybe not. Participation is always best with your eyes wide open.

Matt Damon, for example, tried to demonstrate this by using toilet water instead of drinking water. Doing so created an opportunity to promote clean drinking water in addition to the ALS Association. For other ethical or moral dilemmas, of course, there is no middle ground. Respect that, if nothing else.

Even with some people opting out and other people tired of the challenge, the campaign has reached a tipping point. Two days ago, the ice bucket challenge had only raised $70.2 million. Yesterday, it raised $79.7 million. The numbers suggest the campaign is holding steady at around $9 million a day.

So with all things considered, is the ALS ice bucket challenge a win?

Social media, and social networks in particular, has created a weird obsession with labeling something a win or fail. The ice bucket challenge isn't really either, even if it is a windfall.

On one hand, the organization has clearly raised a record that will likely stand for a long time. It also gained signification attention (and some awareness, which is different), more than it has in a long time. It's also likely that the organization will retain a percentage of those first time donors next year.

On the other hand, the vast majority of donors will not likely donate again. It's also unlikely (but not impossible) that this will become a sustainable action (or non-action as some people like to claim). It might even result in pullback next year, with people saying they did that last year. They did it and they're done, with some people still not sure why they participated in the challenge.

In short, the campaign wasn't brilliant as much as it was the right one at the right time. And as marketers, the real challenge will not be in celebrating the windfall, but in developing a bridge campaign that can transform flash-in-the-pan attention into educational awareness and sustainable action. If the ALS Association can do that, then this campaign (regardless of money raised) is a win.

Otherwise, it can best be described as a happy accident, one that other organizations ought to be wary about trying to duplicate (unless they are prepared to take a shot in the dark). But more than that, the real tell is what happens next. The ALS Association has a tremendous opportunity to create an endowment that will sustain a higher level of research for years to come (unless it believes it is close enough to a cure to push it across the finish line) and nurture support beyond the confines of this lucky long shot (while weathering the strain that comes with it).

Sure, everyone can expect more complaints about the challenge. Some are symptoms of success. Some open up dialogue for other social needs. And some provide a suitable level of transparency because there is nothing worse than someone who regrets their donation because they didn't know this or that. None of these complaints, however, will diminish what the organization has accomplished in terms of fundraising.

So maybe the question that needs to be asked isn't whether the campaign won or lost but whether the campaign achieved its mission to become the most trusted source of information for Lou Gehrig's Disease while demonstrating compassion. And beyond that, like every marketer ought to know, the best question to ask is not whether this is a win but what could the ALS Association have done better, what can it do better next time, and what its obligation is to all those people who supported it.

How To Stand Out In The Content Marketing Crowd

Maybe it is because marketers have turned more than one quarter of their budgets over to content marketing and as many as 62 percent of all companies outsource content creation, but it seems to be true. More people consider themselves writers today than any other time in history. Someone has to produce the 27 million new pieces of content that are shared each day. It might as well be writers.

Sure, some of them might be designers or public relations professionals or photographers or business owners first, but writing tends to be treated as a verb more than a noun. In fact, even those writers who do embrace it as a noun mostly do so with trepidation. I can't count the number of times that I've heard writers sum themselves up by saying "Oh, I'm just a writer" as if such a thing exists.

I don't really think so. No matter what people call themselves, there are people who write and then there are writers. And no, the distinction isn't only tied to proficiency. It's also tied to sense of purpose.

People who write see the task at hand as something that needs to get done. Writers see it as an opportunity to express an idea and hone their craft. A few don't even have a choice. They must write.

But this post isn't about that minority as much as another. There are some people who write who want to become writers. The only problem for them is that they don't look in the right places. They will never learn how to write a compelling blog post by reading blog posts about writing blog posts. You have to look beyond the medium of content creation to find anything worthwhile. Learn from great writers.

Five thoughts about writing from great writers and what they mean.

1. "If you want to be the writer that you confront 30 years later without shame, then learn to ignore your readers." — Harlan Ellison

Ellison knows that his readers are terrific people and mean well enough. But he also knows that once your readers start to know what they like from you, they will demand it over and over again. If you simply deliver what they think they want, then you will look back and discover you've written the same book a dozen times over or, in the case of content creation, the same post.

People often ask why some of the best content creators come and go. It's very much what Ellison said. If you want to be successful, you'll  have to surrender to writing the same thing over and over. Few people can stomach it, which is why some of the best writers drift over time.

2. "For me, the criterion [of being a great writer] is that the author has created a total world in which his people move credibly." — James Michener

When Michener said it, he referenced works like Vanity Fair by William Makepeace Thackeray and Huck Finn by Mark Twain. But then he went on to define it as being able to give your writing its own little cosmos. Doing so gives your writing the sense that it really exists in the real world and gives people the opportunity to accept it.

When content creators talk about doing the same thing in an article or post, they often refer to authenticity. There are bloggers who do it especially well. When you read their work, you almost immediately know it is them because they've lace little bits of themselves into the writing.

3. "My advice to writers who want to write columns is to learn to think, learn about history, learn about economics, learn subjects." — Ellen Goodman 

Goodman went on to describe that journalists writing columns (and we can add bloggers and content creators to her list today) can divide much of what they write into two kinds of stories. There are stories that tell you want happened and stories that tell you what it means. So in order to transcend the experience, you have to know your subject, you have to have a view, and you have to care.

Most content today seems to be written much like Goodman describes. Some writers do something or respond to what other people have done and then write about it. Some writers look for something deeper than the surface observations and add significant depth to the content or perhaps add innovation and clarity to the another field. A few overlap.

4. "There is a terrible tendency in this country to consume art and culture, to try to package it in the same way that all our other familiar products are packaged, and that can be terribly distorting to the work, to the art and culture." — Jay McInerney 

The more a writer allows himself to become processed by the machine, the more their work suffers for it. McInerney warns writers away from becoming too distracted by publicity or critics or anyone. The only thing that really counts, he says, is the writing — the ability to convey a thought, idea, or tangible experience to someone else in such a way that it matters to them.

This is true among commercial writers too. While copywriters, public relations professionals, and even modern journalists are pressured to produce content within the tight confines of what the client or agency expects, what might produce an outcome, or what generates traffic, it's always best to push all that aside while writing the draft. All those other mandatories — packaging that ranges from word counts to headline structures — can wait until later.

5. "If you get too predictable and too symmetrical, you lull your readers into — not a literal sleep — but you put their brain to sleep." — Tom Robbins

According to Robbins, the primary purpose of imagery is never to entertain but to awaken the reader to his or her own sense of wonder. If you become too predictable, the rhythm of the language will eventually languish and lose its angelic  intensity. When that happens, the words begin to lose their emotional impact even if the readers continue to read. You have to find a way to wake them up and engage them.

This is the primary reason you'll see marketers and even some others proclaim their preference for shorter and shorter works. The problem is almost never the length. It's almost always in the rhythm and in the beat. You have to change it up. Wake them up.

Do you really think SEO alone will make one piece of content beat 27 million others?

The writing tips above were pulled, in part, from On Being A Writer, a book that was gifted to me very early in my career. It's out of print now, but readily available as an after-market purchase. I don't know if I would call it the best book on writing there ever was, but it does compile 31 interviews with great writers and poets. Their advice is timeless, even if the book is almost history.

The point of it, I suppose, it that if someone who writes really wants to become a writer, then it's more than worthwhile to look beyond the task and more toward the craft. Learn to be a writer by considering the insights of people like Ellison, Michener, Goodman, McInerney, and Robbins. They all say similar things for a reason. There is an art to the craft that transcends all those other nifty tidbits. And you will find them almost anywhere link bait doesn't exist. Good night and good luck.

When Everything Is Direct Response, Nothing Is Worth Measuring

Direct response has always been popular among marketers. The allure of it is simple and straightforward. An organization sends out, let's say, 1,000 direct mail letters with an offer and 10 percent of those who receive the offer respond. That is your response rate. That is your return on investment.

I intentionally used the direct mail letter as an example because direct response used to be associated with mail. The truth is, of course, that it has included call to action ads and television commercials, coupons, telemarketing, broadcast faxing, email marketing, and a host of online tactics that range from pop-up ads to paid placement on search engines.

The only reason direct mail remains associated with this niche marketing tactic is because that is where it started, with Aaron Montgomery Ward producing the first mail-order catalog in 1872. This won't always be the case. Direct marketers are more likely to call the field data-driven marketing.

It's still very popular too. In 2012, the Direct Marketing Association estimated $156 billion was spent on direct marketing under its new moniker data-driven marketing. I've read elsewhere that data-driven marketing accounts for as much as 8 percent of the GDP in the United States. That's a ton.

So what's wrong with that? Nothing really, except for the growing number of marketers that are attempting to apply direct response rates to every bit of communication. It doesn't work that way.

People who only measure the immediate suck the results out of their long term. 

If we were talking about fitness, I might liken direct response marketers to people who step on the scale every morning to check their weight. If the scale reads minus one pound, they feel successful. If the scale reads plus one pound, they feel defeated.

Ask someone trying to lose weight and they might even confess that anytime they gain a pound, they are compelled to inventory everything they did and ate the day before as if they could pinpoint its origin. Was it because they cut their cardio short for five minutes? Was it the turkey on their salad at lunch? Was it the half-glass of 2 percent milk they drank at dinner?

No wonder people who diet are so easily defeated. They are constantly measuring the wrong thing, thanks in part to this odd obsession with weight in most anti-obesity campaigns. But it's a mistake because body composition (not weight) is the cornerstone of a successful fitness program. And to successfully change your body composition, you need process goals as well as performance goals.

Marketing, advertising, and public relations work much in the same way. The total composition of your strategic communication plan has a greater long-term impact than any single piece or part. So while you can measure the direct response of almost anything, one pound either way means nothing.

Where is direct response measurement starting to infringe on effective communication? 

Public Relations. More and more firms are allowing themselves to measure the number of pickups, total impressions, and advertising rate value delivered by each news release. But doing so creates an erroneous impression that some releases or pitches are good and others bad. The truth is, however, that relationships with the media cannot be measured by whether or not a reporter picks up a story. Provided the pitches and releases are grounded in having news value, even if you think they are ignored, they could eventually prompt a reporter to call out of the blue looking for an expert source.

Advertising. Every now and again, I share the story of an attorney who was convinced that the bulk of his marketing budget should be invested in the phone book yellow pages. When asked why, he was perplexed that it wasn't obvious. They spend more money where they get the most response. But that wasn't true. The attorney only received his greatest response from the phone book because that is where he invested the most marketing dollars. A better composition, not more money, eventually delivered a better response.

Social Media. Social media specialists and search engine optimization experts alike are often quick to judge the quality of content — whether it's a video, blog post, or tweet — by any number of direct response measures such as likes, shares, or incoming keyword traffic. While these measures are always good to look at, they also skew the story toward the first impression and not the final outcome or total user experience. Marketers need to remember that reputation is built by the total body of work.

Journalism. More than ever before in the history of media, journalism has become a populist medium. Reporters are less likely to cover stories that the public may find interesting and much more likely to cover stories that the public already finds interesting, which is grounded in direct response. The recent death of one particular actor and comedian may even be the tipping point. I don't recall someone's death ever being exploited as much as this one. But the media won't let up because the response rate is encouraging the exploitation.

There are dozens of examples. It's why Mat Honan can produce a wacky reality simply by liking everything on Facebook. It's why the greedy coin algorithm will usually fail. It's why author-photographer Geoff Livingston couldn't reconcile how the algorithms see art. And it's precisely why most people quit exercising when they don't see their weight change (as muscle replaces fat).

So while direct response will always be worthwhile (especially when it is enhanced by creativity, timing, and proper targeting), it doesn't mean direct response measurements and other algorithms can be applied to everything. If they were then Vincent van Gogh would have been lost to history and the person you're mostly likely to marry is simply quantified by a successive run of good dates.

So don't be fooled. Good marketing only looks simple because it is complicated. Sure, direct response has its place (much like weight) but only if your process goals and performance goals are designed to deliver the right strategic communication composition. And that's the truth, "like" it or not.

Does Social Media Crap Deserve Its Defenders?

It didn't take long at all. Within 15 minutes after the Ad Contrarian posted Why Your Social Strategy Sucks, there was a buzz of affirmation and then dissention. Some people felt he hit the nail on the head. Others thought he was unfair, cynical, and very discouraging. "At least people try," they said.

His contention was — much like television commercials, movies, books, songs, and paintings — about 93 percent of all social media sucks. But unlike all other mediums, people aren't satisfied when the crap they create on social media doesn't go anywhere. They just promote it and push it harder.

It's hard to argue with him. Take a look at Facebook. It made $2.36 billion in ad revenue last quarter.

Do you really think marketers spent $2.36 billion in three months to promote content that was wildly creative and instinctively compelling? Trust me. They spend it on the content nobody wants to see.

"Producing crap is better than being silent," one person wrote. "At least you have a chance."

The entire topic is perplexing to me. Does social media crap deserve to be defended? I'm not so sure.

If we can no longer identify crap for what it is, then we truly have surrendered to the notion that advertising, communication, design, marketing, and social media have become such a banal commodity that anybody can do it. And if that is true, then none of our experience, education, expertise, and talent adds value. Everybody deserves a certificate of participation. At least they tried.

No wonder some pros are discontent. In a world where everyone is a storyteller, storytelling ceases to have any identifiable meaning beyond the mundane. We can all rehash our day at the dinner table.

So let's not be delusional. Not every life event is created equal. Not all publicity is good publicity. Not all criticism is cynicism. Sometimes the very best thing that anybody can ever do for you is tell you when your content is not working so you can stop misappropriating time, wasting money, and (perhaps) damaging your brand. And if more professionals had the courage to call out questionable ideas, then maybe fewer marketing budgets would be wasted and more companies would succeed.

Producing crap is not better than being silent. Because while crap might give you a chance to be noticed, it also robs you of any chance to make your best first impression. And therein lies the difference between "trying" something out online and executing part of a strategic plan.

While either method can produce crap, one is informed enough to see it for what it is and take action to fix it. The other merely tries to convince people otherwise. When they do, we all lose. Just like saturated fat, the public can easily develop an appetite for it and then our clients will order more too.

What's In A Game? Maybe All The Creativity We've Lost.

Last week, one of my friends shared an article that appeared in The New Yorker and it made me smile. I've known him for almost two decades but never knew he felt nostalgia for a fantasy game that peaked in popularity during the 1980s.

Dungeons & Dragons (D&D) is like that. It's almost akin to being or having been a member of a secret society that doesn't share its membership roster with members. Enough people played to transform this basement-made role-playing game into a multi-million dollar empire, but proportionately few ever talk about it. And even when some do talk, they couch their connection.

"I used to play until I started driving and discovered girls" is a common quip from those who still suffer from an almost inexplicable discomfort in having played it. Few games carry such a stigma.

Today, D&D still feels a bit saddled with its unfair share of stereotypes. Aside from being labeled as a flagship game for geekdom, there remains this lingering association with past religious objections and accusations that the game could cause psychological disorders. None of it was really true, but the outcry earned enthusiasts a sideways glance as being somewhat "weird" anyway.

When combined with several business disputes and trademark battles, the tabletop game was relegated to a niche gaming experience while its brand became a commercial success from extensive licensing agreements that included collectables, card games, novels, films, television series, computer games, online role playing games, and pop culture references. The outcome cut both ways. While the commercialization made the brand accessible, none of it captured the heart of the tabletop game.

At its heart, D&D is a game of imagination. The rules are just a framework.

Wizards of the Coast, which is currently launching the fifth incarnation of D&D, has taken to describing the game as collaborative storytelling. It's a fair description, given that every group of people who play have vastly different experiences. Some people like to play it like a board game with a finite timeframe. Others play it like an epic adventure without end.

The difference between the two play styles (and everything between) is dictated only by the limits of imagination — specifically, the imagination of a narrator (a.k.a. Dungeon Master) and the players (a.k.a. Player Characters). To help them, everyone follows a framework built upon descriptions, definitions, and computations (e.g., a sword with magical properties, provides +5 chance to hit something).

Proponents of the game have always highlighted this framework as the most redeeming part of the game because reading, writing, and arithmetic are at the core of it all. In fact, some would say that if creator E. Gary Gygax and his partner Dave Arneson deserve to be remembered for anything, it was in developing a game that encouraged kids to become immersed in all three areas, while picking up smatterings of science, history and literature alongside those core skill sets.

D&D also provided an effective venue to discover new hobbies and practice a host of other competencies. The game is loaded with problem-solving exercises, social dilemmas, leadership opportunities, conflict resolutions, team-building challenges, and ethical lessons. It reinforces the concept that individuals can strive for success if they are willing to work hard and take risks, but not alone. The best groups (or "parties" as they are called) consist of a mix of races and professions.

More importantly, Dungeons & Dragons nurtures creativity and imagination. It relies on the ability of the people playing to imagine an encounter, spontaneously embellish or add to that encounter, and then communicate their contribution so that other players can incorporate it into their version of the experience. And it relies on imagination, sometimes with an assist from prewritten game modules, to create those encounters. So why is that important?

“Imagination is more important than knowledge. For knowledge is limited to all we now know and understand, while imagination embraces the entire world, and all there ever will be to know and understand.” — Albert Einstein

It might not be a coincidence that the decline in U.S. education coincides with its decline in creativity and imagination. Since the 1990s, children in the U.S. have been subjected to more standardization in the classroom and outside the classroom. Inside the classroom, it comes in the form of convergent education structures (standardized instruction measured by the ability to provide one correct answer). Outside of the classroom, it comes in the form of convergent play (video games built on someone else's imagination or movie characters that children use to reenact television shows and movies).

The irony? Despite an increased need for creativity and imagination (leadership traits) in a workforce plagued by average worker syndrome, children are generally discouraged from creative thinking (the ability to think in novel and unique ways to create new solutions) and divergent thinking (the ability to think up several answers to the same question). People might deny it, but evidence bears it out.

Specifically, children who ask too many questions, embellish reality in their drawings, resist conformity, seek independence, display self-expression, dislike rote recital, or seek out solitary playtime — all of which are traits of highly creative minds — are more likely to be discouraged or even reprimanded (if not diagnosed as ADHD) than their peers. Even outside the classroom, most parents prefer their children to obey authority, achieve popularity, and seek social affirmation.

Consider Dungeons & Dragons a solid barometer for the times. Most parents won't pay any attention to a Dungeons & Dragons video game (or especially explicit video games like Grand Theft Auto), but seeing a 20-sided die, some graph paper, and a sketch of an umber hulk could prompt them to validate their concerns. What's the difference? Nothing, except whose imagination drives the story — a game developer/movie producer/etc. or the child who has to employ reading, writing and math to make it work.

Personally, I was very fortunate to have kept my now vintage Dungeons & Dragons materials. On occasion, my family has even dug out the well-worn manuals, dungeon modules, and an alternative timeline that I had superimposed on The World Of Greyhawk created by Gary Gygax. And while those occasions don't happen often enough, it's still fun to know that I've introduced them to a world shaped by dozens of friends, their characters, the descendants of their characters, and a smattering of embellishments such as "overmen" from a series written by Lawrence Watt-Evens or a ranger society based loosely on Arboria from Flash Gordon (but without the science).

If nothing else, doing so reminds me to balance the experiences my children have while growing up. Yes, I think it is important to strive for educational excellence and encourage participation in activities such as sports and social engagement. But I also think it is equally important to nurture their imaginations whenever possible. The world needs more individual creativity.

If Dungeons & Dragons can help them open their minds even a little bit, then I'm all for it. I wish more people would be for it too. And if a game with a fantasy setting akin to Lord Of The Rings doesn't hold any appeal? Then consider the setting. Tabletop role-playing settings include everything from the Old West to outer space. Or, if nothing else, look for other games or activities (like drawing) to keep their imaginations alive and creativity sharp.

That is the point. The world could use a little more imagination and creativity. If the contributions aren't coming from you, then perhaps you can inspire someone else to never give it up. To me, the greatest gift you can give anyone is the empowerment to never say "I used to do this [creative thing] .... until I got old [and boring]."

There Is No Such Thing As An Easy A/B Lunch

"It is perhaps an all-too-human frailty to suppose that a favorable wind will blow forever." — Richard Bode

In the context of his book, First You Have To Row A Little Boat, Bode was writing about how almost impossible it is to imagine what it might be like to be caught in a dead calm while there is a breeze blowing hard against your sail or in your face or on your back. It's almost impossible to imagine it because our brains are mostly predisposed to see the most fleeting moments as infinitely constant.

When things are good, we think the honeymoon will never end. When things are bad, we readily embrace the pain as permanent. Never mind that most of us have lived long enough to know that the evidence doesn't bear either infinity out. We're generally inclined to indulge ourselves in deception.

Social media is not a science. It only feels like one.

Sure, some applications of social media seem to fall under the banner of science. Marketers are indeed in the business of observation and experimentation. They do attempt to study the structure of online communities and the behavior of people on a one to one, one to some, and one to many scale.

Some applications even attempt to apply scientific method to the mix, with A/B testing among the most prominent manifestations. There is only one problem with it. While A/B testing sometimes leads to a product development or marketing breakthrough, the operative word is sometimes.

The wind doesn't always blow in a favorable direction and sometimes it doesn't blow at all. Never mind that more and more data scientists are attempting to decipher public manipulation, but they frequently fail to appreciate that data has the propensity to manipulate its handlers too.

The biggest problem today, it seems, is that many data scientists have studied statistics but relatively few are practiced at applying scientific method in the physical or natural world (or psychological and sociological worlds for that matter). If they were, they might better appreciate the incongruity of choice — six studies of which were recently shared in an Econsultancy article by Ben Davis.

While some studies are stronger than others, a fair encapsulation of the research concludes that the choices offered, number of choices offered, order of the choices offered, and order of emotional triggers all influence A/B testing. Or, in other words, if A/B both suck, you prove nothing at all.

If you ask people whether they like big keys or little keys on a cellular phone, no one innovates touch screen technology. If you ask people which cola they like better during an A/B experiment, someone will eventually rediscover the recipe for New Coke. If you always listen to prescreen tests, every movie will have a happy ending.

But those examples are only the most straightforward research failures. Some hiccups are caused by the most subtle changes. The order information is presented (shoes before or/after a new dress). The timing of an interruption (when most people are online or when they are more receptive to share). The influence of the last destination they visited (did they leave feeling elated or aggravated).

There is no such thing as an easy lunch in marketing.

There are plenty of people who will tell you otherwise, but it's simply not true. Marketing is not a science, even if marketers love to sell science. It can be an asset but only if you think and think deep.

A few years ago, I had the privilege of working on franchise collateral for Capriotti's Sandwich Shop. I can't really speak to what they are doing now in terms of marketing, but I still love their sandwiches.

The challenge they had and probably still do, had a lot to do with psychology. Specifically, one of the questions that needed to be asked was how could they become part of the lunchtime decision-making process? The answer isn't as easy as you think.

When most people make decisions about what to have for lunch at the office the first A/B choice they create is fast food or sit down. The primary influencer at this stage is time, but it quickly turns toward taste. If fast food wins the consensus, then most people will run down the big brand list (McDonald's, Burger King, Wendy's, etc.) and make a decision based on preferences, experiences, and proximity.

Interestingly enough, KFC only gets a shot if someone says they don't want a burger. And other alternatives, like Subway, are added to the mix if someone insists on no fast food (a position thanks mostly to their Eat Fresh campaign). So where does Capriotti's fit?

A/B testing convinced some people that it fits everywhere because they consistently win on taste, but it really wasn't true. Sure, it won with loyalists, catering, or as a wild card but not where it needed to. To capture the average lunchtime customer, it comes down to the first round choice. Fast food or sit down? This sandwich shop is neither.

My solution was a bit different from the marketing firm that had contracted me onto their team. While they wanted to push award-winning sandwiches, I wanted to reframe the front end choice that there is lunch or Capriotti's, thereby pre-empting the fast food or sit down decision-making process.

But we didn't then and no one has since. So despite being voted the greatest sandwich in America, it's still niche and not mainstream no matter how many A/B tests they run. Why? As I said. There is no such thing as an easy lunch. Just because the winds of research keep blowing your organization in different directions doesn't mean it will always be there or push you to the destination you want. Someone has to aim for it.

Number Crunching Is Turning Marketers Into Tactical Bullies

A recent study that surveyed 380 American marketers reported 85 percent of its respondents are under increasing pressure to measure the value of marketing and its contribution to business (hat tip Danny Brown). But despite this increased press to measure, many marketers don't know whether or not their tactics are having an impact. Just one in four said they can measure their impact.

Even among those who do measure their impact, most of them don't know how to report on their findings. Many don't have a formal process to gather, handle, analyze, and report big data. And up to one-third of them don't know if their data is accurate or reliable. So what the heck do these people do?

No one is really sure, which increases the big data idiocy.

Most organizations are measuring something. Chances are they measure key performance indicators (KPIs), which is a fancy way of assigning any variable you want. It might be reach, impressions, qualified leads (which also has a broad definition), website traffic, click-through rates, conversions, direct sales, or anything really. Some people even count social scoring algorithms (sigh).

There is nothing wrong with all these numbers, really. But the sheer volume of data being lobbed at modern marketers is commoditizing the entire field while it distracts marketing from where its focus really ought to be, which is delivering a distinct brand promise to people who might care.

So while the right measures are important, they don't account for the customer relationship — need, desire, trust, presentation, value, reliability, ease of acquisition, satisfaction, market position, and so on and so forth. If any one of those qualities is broken, it doesn't matter how good your numbers are.

How marketing measures can be made quickly meaningless. 

Case in point. After returning from a family vacation that included a few hours of sports fishing off the coast, my interest in finding experiences for my children had piqued. But since fishing options are scarce in the middle of the desert, I decided to search for something else we've talked about doing.

We have an interest in horseback riding, but not just singular experiences. So rather than take a trail ride, I was especially keen to find horseback riding lessons so they could learn something about riding much like they learned something about baiting their own hooks when they went fishing.

Like many people, I started with a search and the engine delivered the usual list of trail ride suspects. There were a half dozen tour operators in the area, some of which I knew from my days as an eco-tour reviewer. I visited a few of their familiar sites. Almost none of them fit my criteria.

Of the few that did, some were priced too high, were located too far away, or had dismal reviews (including some that alleged animal cruelty). And, of course, there were plenty of third-party booking companies that offered these same tours with a prettier presentations (even the most dismal) to lure in those who don't know the difference. I do know difference. I readily dismissed them.

At the same time, I couldn't help but to make a few mental notes. All of these operators were winning on impressions, click counts, site traffic, and (perhaps) qualified lead generation depending on how they define that. Some might even have felt good assuming my lengthy visit was tied to interest (when it was really tied to not being able to find the right information). So what?

Most of them only succeeded by getting in my way. And a few of those, believe it or not, reinforced  the worst possible impression of their brand. After reading some reviews, I would have a hard time taking a chance with them no matter how many impressions, clicks, and site visits I left behind.

So, at the end of the day, I settled on the one operator I remembered from an in-person presentation I had seen a year prior and nothing from the search results. We'll likely hook up with them for lessons once our summer temperatures drop below triple-digits this fall. I also did bookmark a couple of other operators too. It's always good to have a backup.

The measurements marketers count is not what customers count. 

In this case, I was looking for reasonably-priced Western-style riding lessons that accommodated families and had generally positive reviews. Search, social, and content does not account for all of that criteria.

In fact, brands with better search, social, and content tactics were more likely to be in the way of providers who could meet it. And, as mentioned, some brands did little more than entrench a negative brand impression. They might not even know it. Numbers alone don't tell the story.

For some, they tell the wrong story. Looking at the data, they might be convinced that their content didn't connect or that they need to spend more on reach or their sales funnel needs improvement or that they have problems with their website layout. In reality, it wasn't any of those indicators that make numbers look like something you scoop off the shelf and put in a shopping cart.

They didn't offer what I was looking for. It was that simple (and honestly for the best).

Real marketing is more of an expertise and less of a commodity. 

Marketing from the ground up considers the market need (or desire), competitive price model, product or service mix, total customer experience, and how the marketing message is delivered so that it not only reaches people who care, but also manages customer expectation without complicating the package. In several cases, qualitative analysis not quantitative would have been the better teacher.

Just poking around, I could see many operators invest too much in capturing the wrong kind of traffic or creating content that is too broad for their offerings. Several are attempting to capture a low-cost lead position despite more market demand for a luxury ride. Only a few have figured out that the primary concern most customers have is for the horses, second only to their own personal safety. And meals, which are always touted as the best part of a package value, are the least appreciated and most often complained about aspect of any ride.

Marketing ought to consider all of this data and not just the growing list of marketing measures associated with maximizing impressions and conversions. If anything, the last thing any serious marketer wants is to increase exposure to an inferior offering when they have the means to make it right. Great brands are not made by exposing more people to an inferior offer.

They are made when you can deliver the right product or service to the right group of people. When that part of the equation is done right, the right numbers will follow and measurement will begin to shift from website traffic to something tangible such as public perception and customer referrals.

Separate Advertising And Pubic Relations At Your Own Peril

Every time someone attempts to divide advertising and public relations into two distant camps, it makes my skin crawl. They always make it sound like both fields have to be at odds with each other, with cliché conversation starters like advertising is paid and public relations is pray.

There doesn't have to be such a stark division. No one has to choose one over the other. After all, while it might be true that advertising and public relations have distinct world views, they essentially aim to fulfill a bigger organizational need — to meet organizational objectives through communication while reinforcing a brand that has (ideally) already proven its market differentiation.

It doesn't even matter what that product or service differentiation might be. It could be based on any number of tangible and intangible attributes — quality, price, availability, prestige, functional specifications, design aesthetics, corporate citizenship, and whatever else someone can think up or any combination of them provided there aren't too many to remember. One to three points is enough.

People don't see public relations or advertising. They see brands.

When people see an advertisement or article about Porsche, they don't categorize the communication into categories or departments. They only see stories that reinforce and expand on a single idea.

"In the beginning, I looked around and could not find the car I'd been dreaming of: a small, lightweight sports car that uses energy efficiently. So I decided to build one myself." — Ferry Porsche

To hear Porsche tell it, they have always strived to translate performance and speed — and success — in the most intelligent way possible. It was never about horsepower alone, but intelligent horsepower.

The medium doesn't matter. You will read the same story in every article or advertisement equally. This car is about a dream. And as each dream is realized, Porsche pushes the envelope even further.

In being exposed to either the advertisement or the article, consumers don't score the credibility of one or the other because credibility is not created by the communication. Credibility is created by delivering on a brand promise. Advertising and public relations merely reinforce what is there.

And for Porsche, the principle they abide by isn't confined to ads and articles. They apply it everywhere — to customers who believe there is no substitute and to motor sports spectators who may never own a Porsche but are more than happy to share the dream conjured up in every piece of communication. It not only extends to their cars, but also to their corporate offices, environmental policy, employee responsibility, and long-term sustainability as well. You don't even have to like them to respect them.

More importantly, you have to appreciate that this kind of outcome doesn't come from advertising or public relations or word of mouth. It comes from a unified communication strategy, one that transcends the tactics chosen to deliver it.

So no, advertising or public relations isn't a valid conversation. What communication strategists need to ask is what is the organizational strategy and how do we best communicate it to those people to whom it will matter most with whatever budget is available. The answer to that question is as varied as the products, services, and markets served. Every communication budget mix is different.

Some professionals think it's all about persuasion. Stick with the truth.

The fundamental reason that no one questions a Porsche advertisement is that the brand has banked credibility. It is known for taking care of its customers. And in doing so, its relatively small customer base has worked with the company to create a public perception that extends beyond that base.

Sure, some people will mistakenly believe this is a phenomenon exclusive to luxury brands, but it really isn't. Walmart, McDonald's, Coca-Cola, Proctor & Gamble (various products) and Colgate (various products) all employ the same fundamental premise. Small marketers do too. The Abbey Inn in Cedar City, Utah, is one example. It's a 2-1/2 star hotel that consistently ranks as the number one place to stay in town.

There isn't big budget marketing behind it. It employs targeted advertising with some public relations support, with most media and social media exposure earned by exceeding expectations (including mine) rather than feeding journalist story pitches.

Not all of the advertising is great, but it still succeeds in establishing a brand promise from a 2-1/2 star hotel (one that it can easily exceed with friendly service). In doing so, it achieves what other hotels — even big brands — cannot do. They has achieved and continues to have a market advantage along with repeat visitors and a strong referral base. And in some cases, it is this groundswell that earns it inclusion in other stories about the area — everything from the Utah Shakespeare Festival  to national parks like Zion and Bryce.

When considered as part of a comprehensive communication strategy — marketing, advertising, social media, public relations, customer service — organizations that can deliver the right concept with the right market differentiation across all of it win and those that can't struggle. And the only reason that more organizations don't employ such an approach is because most talk to one specialist or the other, with each attempting to maximize their budget rather than considering the overall mix.

It's something to think about. When was the last time your organization put the strategy ahead of the tactics? Considering what most professionals are measuring these days, I'd say not very many.

Welcome To The Petri Dish. A Great Big Thumbs Up.

Don't expect the fervor over what some people are calling a breach of trust by the social network Facebook to last very long. Despite the growing distaste that most people have for it, big data is here to stay and the abuse of it will always be a few clicks away. The Internet is a petri dish.

If you missed the story, Facebook (in cooperation with Cornell and the University of California) conducted an experiment involving almost 700,000 unknowing and potentially unwilling subjects. The study was originally designed to debunk the idea that positive social media updates somehow make people feel like losers. Instead, it affirmed something most sociologists, many psychologists, and a few marketers already know.

"Emotions expressed by friends, via online social networks, influence our own moods, constituting, to our knowledge, the first experimental evidence for massive-scale emotional contagion via social networks," concluded the study. Negative and positive emotional content can influence our moods.

The significance of the study from the socio-psychological viewpoint. 

The summary of the study is clear cut. The researchers showed via a massive experiment on Facebook that emotional states can be transferred to others via emotional contagion, leading people to experience the same emotions without their awareness. They also provide experimental evidence that emotional contagion occurs without direct interaction between people (exposure to a friend expressing an emotion is sufficient) and in the complete absence of nonverbal cues.

The experiment itself consisted of manipulating the amount of positive and negative content people received from their friends and relatives throughout the day and over long periods of time. Sometimes the test reduced users' exposure to their friends' "positive emotional content," resulting in fewer positive posts of their own. Other times, it reduced exposure to "negative emotional content."

The study confirmed that the changes to a person's newsfeed had the potential to alter their mood. While interesting, it's not surprising. Everything we let into our heads influences us.

The books we read. The television programs we watch. The news we subscribe to. The advertising we see. The people we hang around. It's human nature. We are prone to adapt to our social settings and seek out affirmation for acceptance or validation. And the only remedy is awareness — either the truth or sometimes the constant recognition that someone is attempting to influence you.

The ethical lines of emotional manipulation and big data have blurred. 

It is naive for anyone to think that affirmation media doesn't have an agenda much in the same way it is naive to think that marketers don't have a brand agenda (which can be much more powerful than direct sales). They do, much in the same way Facebook has an agenda. The more the social network understands where our new ethical lines are drawn, the more it taps any amount of data for anyone.

The only reason this experiment has touched a nerve is because the people were forced to look at what they don't want to believe much in the same way people who track down an online catfish are often disappointed. The truth isn't something people necessarily want. They want their truth.

As privacy issues have waxed and waned over the years, so has public tolerance. People are all too willing to opt in (or neglect to opt out) for the most marginal of benefits. And as they do, online and offline privacy will continue to erode. The only changes since some of the earliest online privacy debates have been around semantics. Consumer profiling has morphed into big data. Shaping public opinion has drifted toward mass manipulation. And all of it is covered in TOS.

At least, that is what some people think about privacy. What do you think? Is manipulation in the eye of the beholder? Is an apology enough? Would it be all right to promote one hair color over another without product identification just before introducing a new hair dye? Or maybe it is fine to dedicate more airtime to isolated tragedies in an effort to change public policy. The comments are yours. 

Having Engagement Problems? Make Your Audience The Content

It doesn't matter what study you look up. Marketers always struggle with the same measurements — engagement, lead generation, and sales. They aren't the only ones. Americans feel miffed too.

According to a recent Gallop poll, a clear majority of Americans say social media has no effect at all on their purchasing decisions. A whopping 62 percent say social has no influence over them.

Even when respondents were broken out by age, not much changed. Forty-eight percent of Millennials said that social media had no influence over them (43 percent said it had some).

Consumers are influenced by social media, but it has to be good.

The good news is that the consumer survey by Gallop doesn't prove much. Americans have said much the same about advertising for years. It's not a lie per se, but they are genuinely mistaken.

We don't always know which bits of information are from friends or pass through marketing messages. The same can be said for social and cultural shifts too. You would be surprised how many come from outside of the country before they are shared by Americans inside the country.

On the other hand, most marketers are still only marginally adept at social media because they tend to start out with the wrong intent. They are too "sales" focused, which generally produces a social media campaign akin to celebrating itself online. Nobody wants to visit a social page for push messages.

"How are you? Let's talk about me." It's true. Marketers don't use those words verbatim, but that is what most of the messages become. It's common for many social media experts to let you leave a page but not without pounding you to subscribe to an e-newsletter first. Never mind the risk associated with more studies that are veiled attempts for lead generation a.k.a. permission to spam lists.

The problem with all of it is pretty clear. If the intent is all about sales, then you can't expect the method to magically produce engagement. It's mostly the other way around. If the method produces engagement, then it is very likely the organization will experience incremental sales growth.

If you want better engagement, make your audience the content. 

This simple answer is only slightly deceiving in that the execution is complex. It's complex because every audience or public or group of people or whatever you call them have very different needs.

If you simply run from one organization to the next organization with a cookie cutter solution (or one stolen from a best practices SlideShare deck), people won't care about your content. The reason they won't care is because content creation that aims for engagement is not the same as content created for an editorial calendar. The content people want to read has to be about them, directly or indirectly.

What does that mean? Sometimes the answer can be exceptionally direct — a professional membership organization that focuses on its members and upcoming events (where members meet up) has a great opportunity to develop a vibrant community. Sometimes the answer is less direct — an organization that wants to establish itself on the cutting edge of an industry will seek out innovation (even if it is not their own). And sometimes the answer is in between — an event that brings together hundreds of authors and book enthusiasts makes it easier for the two to connect.

"How are you? Let's talk about you." It's the message that really matters. People mostly don't want to know about your organization, but they may want to know who attends your events. People mostly don't want to know about your program, but they may be fascinated by the advancements being made in the industry. People mostly don't want to know about your product, but they might want to know how to fix a problem or make their lives easier. If it happens to include your product, service or position, then it's win-win. Sales tend to be a by[product of doing everything else right.

In other words, maybe it's time to throw out your elevator speech and work on a deliverable instead. How can you better bring a concept, conversation, or community to your customers that they can actually be part of and care about? Good. Go do that. And once you do, never put it on autopilot.

What do you think? Isn't engagement what made the earliest forms of social media fly? People wanted to connect and the medium helped make it possible. The comments are yours.

Have Social Networks Become The Colosseum Of Our Times?

There are hundreds of news headlines that will break today. Some of them, such as extreme insurgents gaining ground on Baghdad, are important. Others, such as the giraffe gaffe made by Delta Airlines, are not. And yet, outrage over the latter easily outpaced the outrage over the former.

What did Delta do wrong? There isn't much of a story. In an attempt to bring visuals into its social media mix, Delta congratulated the United States for its win over Ghana with the Statue of Liberty representing the U.S. and a giraffe representing Ghana. The problem? Giraffes don't live in Ghana.

Immediately following the tweet, Twitter lit up with responses, ranging from those that aimed to poke fun at the company to those expressing true outrage and claims of racism. To compound its self-inflicted injury, Delta also followed the gaffe with a typo in the apology.

"We're sorry for our choice of photo in our precious tweet. Best of luck to all teams playing in the World Cup." — Delta

Delta meant to write "previous" tweet (which it eventually sent out as corrected), but that wasn't the only misfire. Identifying the "offensive" tweet as the "previous tweet" only makes sense if you leave it up. Delta Airlines had removed it.

The social media lesson isn't what you think. 

Some public relations professionals said the error is indicative of inexperienced communicators managing social network accounts for big companies. Others said it was an example of Americans being largely ignorant of Africa. And yet others pinned it to a lack of cultural sensitively training.

While any one of those speculations might be true, the better lesson slipped through the cracks. Sometimes a social media crisis is only what we make it. Delta chose to make it serious so it was.

Delta could have made fun of the company instead (which seems more appropriate given that the original mistake was one part ignorance and one part laziness) and followed it up with an image of something more representative of the country. Elephants, for example, do live in Ghana.

Then again, given how many people asked the airlines to avoid the stereotypical safari imagery, they could have chosen any number of other things to do in Ghana instead. They could have even encouraged people to find out what there is to do there with a one-time airfare reduction.

Why not? Delta already flies to the city of Accra, which is the capital of Ghana. There is nothing wrong with promoting a destination. It's what airlines do because every destination becomes their home.

Social media is sometimes akin to the Roman colosseum.

Almost two centuries ago, the Romans used chariot races, arena hunts, mock sea battles, and gladiator contests to entertain its population. The biggest of its arenas is the famed Flavian Amphitheatre, which is estimated to have held between 50,000 and 80,000 spectators.

The games were so successful that they were sometimes held to simply to distract the populace from other problems. It worked too. There was far too much to worry about — who sat where (social standing), what to wear (personal branding), and which gladiators were favored (professional prowess among those who weren't slaves) — to concern oneself with other political problems.

It remained a thriving industry in Rome for almost 300 years. Emperor Honorius had closed down the schools. The contests were finally banned outright when a monk leapt between two gladiators and the indignant crowd stoned him to death. Six years later, the city was sacked by the Visigoths.

Social media can have the same galvanizing effect, easily placing silly cat photos over social justice. There is nothing wrong with that. But then again, it's always smart to consider that social media is what we make it and, in some cases, maybe we're making too much of it like the colosseum as outrage is amplified and the participating crowd wants to extol a pound of flesh.

Sometimes that is a good thing. Sometimes that is not such a good thing. The best rules of thumb are to always check the facts, always consider the source (even friends are fallible), and never pile on the latest crisis just to score social media points for the quip. Save some energy for things that matter.

What do you think? Does social media provide more amplification or distraction in the world today?

Marketers Renew Their Interest In The Customer Experience

Content marketing might have a lion's share of the social conversation, but more and more marketers are starting to see customer experience (a.k.a. CX) as the single most exciting opportunity for business this year. According to one recent study conducted by Adobe, customer experience even edged out mobile by a narrow margin for the first time in recent years.

It only makes sense. Content marketing and mobile are both part of the customer experience, which includes all customer facing touch points (and I might argue internal facing touch points that can influence customer facing touch points). Ergo, the best lead generation on the planet is pointless if the only outcome is to target those leads with long-term loss leaders such as email spam or telemarketing.

"Every ad is an investment in the long-term image of the brand." — David Ogilvy 

Ogilvy had it right in that every advertisement, message, and touch point has a brand impact. It's only by mapping out the entire customer experience from the first touch point to post-experience that business owners and executives can begin to understand the relationship forged with customers.  

The customer experience concept goes beyond the sales funnel. A typical customer experience journey begins with a need, consideration, engagement, evaluation, purchase, receipt, usage, and post purchase. 

Need Awareness. The three most common types of need awareness are those that are externally generated (friends, influencers, or businesses pinpoint a known problem or unknown need), internally generated (an individual has a problem and is searching for a solution), or purposefully sought after (an individual who already knows what they need). All of them require a different approach. 

Solution Consideration. Once someone accepts there is need, brand loyalty tends to be the first consideration. People generally rely on brand familiarity and measured previous experiences before considering solutions from other companies with which they have had little or no experience. There are exceptions (such as price-motivated customers that never develop brand loyalty). 

Customer Engagement. As part of the decision-making process, customers will likely visit websites, social network pages, retail outlets, mobile apps, visit links, or engage in any number of other direct touch points. Always remember that even if the company is absent from the conversation (such as comments left on a review site), customers still consider the experience as a brand touch point. 

Customer Evaluation. Everything during the experience — from perceived need fulfillment and frontline staff to presentation and ease of purchase — may have an impact the brand relationship. This includes outside interruptions and messages intended to reach customers earlier in the sales cycle. In fact, this is one of the most neglected truths in marketing: the sales funnel is not linear.

Point Of Purchase. Even some of the best companies never consider how many negative impressions they introduce at the point of purchase. Anytime they include an additional charge (e.g., baggage claim), charge too much for shipping and handling, attempt to add on impulse offers or unneeded plus sales, make it difficult to claim a rebate, add unjustifiable financing terms, introduce post-purchase policies, etc., customers add it to the weight of their experience. 

Delivery/Installation. Many marketers consider the the point of purchase to be the end of the sales funnel, but the purchase is only the beginning of the customer experience. How something is shipped, the length of time required for delivery, the ease of installation, additional costs that were unintended or expected are generally attributed to either the manufacturer or retail outlet. 

Promise Delivery. If modern marketing has learned anything in the last century, it ought to be that the expectation marketing creates with a value proposition needs to be closely aligned with the ability to deliver on that promise. It's often the difference between the proposition and promise delivery that makes or breaks the company. 

Post-Purchase Satisfaction. Even after a purchase is made and the customer owns the product, post-purchase touch points have an impact. When companies send too many post-purchase incentives, any time the company is embroiled in controversy, or if the life cycle of the product or service fails to meet expectations (and sometime even if it does), post-purchase satisfaction remains ever-present.

Every touch point deserves consideration within a communication strategy. 

When you begin to think from the perspective of the customer's experience, things change. Retailers don't settle for a low price leader claim, they make lower prices part of the customer experience. Innovators do more than make a motorcycle helmet, they augment reality to make it safer and smarter. Shoe companies do more than tell you to just do it, they innovate the tools to help you get it done while considering the customer experience from introduction to the next innovation. 

At every stage of the customer experience, there is considerable room for communication. Marketers have an opportunity to express a need, help people find a solution, ensure the right message, make purchasing easy without being overbearing, create the first post-purchase touch point, reinforce the promise delivery, and continue to add value (not sales pressure) until the product or service life cycle is complete. 

Marketers desperately need to develop comprehensive plans that better address the customer experience with the convergence of next generation digital, engineering, and personalization. According to the same Adobe study that revealed CX is steadily gaining ground, nearly 75 percent of respondents recognized that marketing still doesn't have the skill sets needed fully realize tech.

While that may be true today, it won't be true tomorrow. The next round of communication convergence will come with an engineering edge — customer experience baked into the products we buy and the services we select. After all, isn't that the real reason companies like Uber and Lift disrupted the marketplace? Technology helped them change the customer experience.

The Written Word Is More Visual Than You Think

A recent article in The Guardian recalled a 1974 study conducted by Elizabeth Loftus and John Palmer. The psychologists asked students to watch a video clip that involved a multi-car pileup.

After watching the video, two-thirds of the students were asked one of two questions: How fast were the cars going when they smashed into each other?” or “How fast were the cars going when they hit each other?” The other third, the control group, wasn't asked a question after watching the video.

When the students returned to the lab a week later, they were asked if there was any broken glass around the accident. Surprisingly, students didn't recall what they saw in the video. Rather, more students recalled seeing broken glass if the word "smashed" had been used in the question. Less students recalled seeing broken glass if the word "hit" was used or if they were not asked a question.

"If you can't draw, you can't think."

The first time I heard the quote it was part of a presentation delivered by Josh Ulm, director of product design at Adobe, at a leadership retreat for AIGA. It wasn't until later that I discovered an earlier manifestation of the quote in an article written by Michael Gough, who also works at Adobe.

Where the quote originated doesn't matter, but it was one of several that really stuck with me. There is some truth in it, given that drawing acts as a bridge between the inner world of imagination and reason and the outer world of communication and sharing. But it's not the only bridge for our brains.

There is increasing evidence that writing helps us think too, but not always the kind we're used to in a post-penmanship world. Although Common Core is notorious for wanting to kids to rely on keyboards earlier, some studies suggest handwriting is extremely important to the learning process.

It makes sense. When we stop trying to divorce writing and drawing, we quickly remember that they are akin to each other. They are akin through handwriting, which opens the same cognitive thought process that drawing does. They are akin in graphic arts through typography. And they are akin in communication because they can both provide context or change our perception.

We don't even need to rely on a study to know it. If you ever had a friend call for a caption contest, you already know that whatever photograph is shown will adapt to whatever line of copy we give it.

The future of communication is a mixed medium. 

While there is an increasingly persistent conversation that attempts to separate language from art and art from language, the opposite holds true. The best artists know the title can be just as important as the painting. The best writers remember that the words leap off the page when they are vivid.

Just as it is impossible to pick between Sunflowers by Van Gogh over The Great Gatsby by F. Scott Fitzgerald (or Pythagoras over Beethoven), it is impossible to separate art and language when they are so often the same. And in knowing this, we might work harder to teach our children the importance of writing and handwriting and drawing and painting and music and photography in the greater context not only of communication, but also in our ability to think and then share our thoughts.

It's only when writers recognize the structure of their content matters and artists recognize their work is a language or perhaps several languages that either elevate the experience, expression, or object of their communication. John Dewey once wrote (Art as Experience, 1934) about art by saying: "Because objects of art are expressive, they are a language. Rather they are many languages. For each art has its own medium and that medium is fitted for one kind of communication. Each medium says something that cannot be uttered as well or as completely in any other tongue."

And the takeaway? Merely flipping the medium for more attention is not an answer. Sooner or later you have to pledge yourself to stop making boring art, whether or not that art is a vibrant painting or handful of words scrawled across the page. Sooner or later, we have to recognize that every skill set (typing and handwriting and drawing and coding) can be an important part of the experience — our own and the one we invite others to share as an experience or expression. Good night and good luck.